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Elsa De Luca deposited Crafting TabMEI, a Module for Encoding Instrumental Tablatures in the group
Music Encoding Initiative on Humanities Commons 5 years, 6 months agoIn this progress report, we describe the issues encountered during the design and implementation of TabMEI, a new MEI module for encoding instrumental tablatures. We discuss the main challenges faced and lay out our workflow for implementing the TabMEI module. In addition, we present a number of example encodings, and we describe anticipated…[Read more]
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Elsa De Luca deposited Next Steps for Measuring Polyphony: A Prototype Editor for Encoding Mensural Music in the group
Music Encoding Initiative on Humanities Commons 5 years, 6 months agoPoster
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Sasha Zamler-Carhart deposited The Goths & Other Stories in the group
Borderlands historians on Humanities Commons 5 years, 6 months agoIn the winter of 476 A.D. the Ostrogoths, hungry and exhausted from wandering for months along the barren confines of the Byzantine Empire, wrote to Emperor Zeno in Constantinople requesting permission to enter the walled city of Epidaurum and just kinda crash and charge their phones. Closer to home, Orpheus walks Eurydice through a suburban…[Read more]
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Steven Barnard deposited Power and Authenticity: Tradition and Transgression in Extreme Metal Music in the group
Music Encoding Initiative on Humanities Commons 5 years, 6 months agoUnderground ‘extreme’ styles of heavy metal are marked apart by other sub-genres of metal by their adoption of a punk rock ethos and overt rejection of commercialism. In metal culture being ‘true’ is a by-word for a perceived authenticity of the artist(s) in their commitment to the culture and integrity as composers/performers. Authenticity is a…[Read more]
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Steven Barnard deposited Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of ‘Outshined’ in the group
Music Encoding Initiative on Humanities Commons 5 years, 6 months agoThe music of Soundgarden represents a unique blend of heavy metal power and and art-rock sensitivity, this is clearly displayed in the song ‘Outshined’. The unorthodox harmony, use of odd time time signatures and sectional variation seem to blur genre boundaries within rock music and also lend the music a sense of emotional instability that runs…[Read more]
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Steven Barnard deposited Ritchie Blackmore: Divergence From the Blues Roots in the group
Music Encoding Initiative on Humanities Commons 5 years, 6 months agoGuitar solos were a defining foundational aspects in the early formative years of what would become known as heavy metal music. Though Tony Iommi of Black Sabbath has been largely credited as the most influential guitarist on the wider genre, this essay argues that it is the style of Ritchie Blackmore that has been of greater importance and…[Read more]
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Anna Kijas started the topic Update: Music Encoding Conference will be offered Virtually! in the discussion
Music Encoding Initiative on Humanities Commons 5 years, 9 months agoWe will refund all registration fees that have been paid. We ask that registered participants, including students who were awarded bursaries, send an email to conference2020@music-encoding.org indicating whether they would like to:
- Receive a full reimbursement;
- Receive a credit towards next year’s MEC;
- Contribute your registration fee to a…
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Stacy Fahrenthold deposited Graduate Seminar: Global Migration History (Advanced Topics in World History) Syllabus in the group
Borderlands historians on Humanities Commons 5 years, 10 months agoThis graduate reading seminar examines some of the historical literature on migration in a global perspective, focusing on the nineteenth century through the present. It focuses on theoretical approaches to the study of migration as well as on case studies, moving between longue-durée and comparative issues on the one hand and local effects of…[Read more]
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Stacy Fahrenthold deposited Proseminar in Migration History: Bans and Border Walls in the group
Borderlands historians on Humanities Commons 6 years, 7 months agoIn the contemporary discourse on migration, it feels peculiarly seamless to discuss “bans and border walls” in a single breath. However, the global preoccupation with travel restriction and border security must not be taken as an inevitability. States arrive at bans and walls as preferred means of migration control as a result of making spe…[Read more]
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Stacy Fahrenthold deposited Arab Labor Migration in the Americas, 1880–1930 in the group
Borderlands historians on Humanities Commons 6 years, 8 months agoBetween 1880 and 1924, an estimated half million Arab migrants left the Ottoman Empire to live and work in the Americas. Responding to new economic forces linking the Mediterranean and Atlantic capitalist economies to one another, Arab migrants entered the manufacturing industries of the settler societies they inhabited, including industrial…[Read more]