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Ian Willis deposited Convicts in the Cowpastures an untold story in the group
History on Humanities Commons 2 years, 8 months agoThe story of European settlement in the Cowpastures is intimately connected to the story of the convicts and their masters. This story has not been told, and there is little understanding of the role of the convicts in the Cowpastures district before 1840. Who were they? What did they do? Did they stay in the district?
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Ian Willis deposited Types of public art in the Macarthur Region in the group
History on Humanities Commons 2 years, 8 months agoPublic art in all its forms is present across the Macarthur Region. The Camden, Campbelltown and Wollondilly Local Government Areas on Sydney’s southwest metropolitan fringe cover the Macarthur region.
Some of the Macarthur region’s public art is hidden in plain sight, and we pass it every day without a thought. This post examines the types of…[Read more] -
Ian Willis deposited Public art at Campbelltown brightens up the Queen Street precinct in the group
History on Humanities Commons 2 years, 8 months agoKeep your eyes open in central Campbelltown for inspiring public art installations that brighten up dull spaces around the town.
The Campbelltown Arts Centre, in conjunction with Campbelltown City Council and the NSW Government, have a program to re-invigorate the city centre using public art. -
Alexa Alice Joubin deposited Alexa Alice Joubin Receives the Martin Luther King Jr. Award in the group
The Renaissance Society of America on Humanities Commons 2 years, 8 months agoAlexa Alice Joubin received the Rev. Dr. Martin Luther King, Jr. Award, which recognizes Professor Joubin’s “contributions to social justice and inclusive excellence ” that exemplify “the ideals that Dr. King espoused,” particularly “community-based social justice organizing rooted in non-violence.” The MLK Award comes on the heel of her bell hook…[Read more]
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Alexa Alice Joubin deposited “Afterword: Adaptation studies and interactive pedagogies.” Liberating Shakespeare: Adaptation and Empowerment for Young Adult Audiences, ed. Jennifer Flaherty and Deborah Uman (Bloomsbury, 2023), pp. 187-200. in the group
The Renaissance Society of America on Humanities Commons 2 years, 8 months agoCriticism of the Shakespearean canon through adaptation as a genre has the capacity for liberation and social reparation. As a cluster of complex texts that sustains both past practices and contemporary interpretive conventions, Shakespeare provides fertile ground for training students to listen intently and compassionately to other individuals’ v…[Read more]
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Alexa Alice Joubin deposited “What makes Global Shakespeares an exercise in ethics?” Global Shakespeare and Social Justice: Towards a Transformative Encounter, ed. Chris Thurman and Sandra Young (Bloomsbury, 2023), pp. 58-77. in the group
The Renaissance Society of America on Humanities Commons 2 years, 8 months agoStage and screen adaptations of Shakespeare’s plays raise ethical questions – that is, questions about how human beings should act and treat one another. In which contexts might cross-cultural enterprises be naturalising the values associated with Shakespeare to exploit unequal power relations among artists of different backgrounds? Con…[Read more]
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Ian Willis deposited The Camden Fibro Cottage – a not so humble abode in the group
History on Humanities Commons 2 years, 8 months agoThe humble fibro cottage in Camden in the 1950s and 1960s is integral to the town’s 20th-century history. The fibro house was representative of the baby-boomer era when drive-ins, Holdens, Chiko rolls, black & white TV, rock & roll and vinyl LPs were the norm. Fibro is evocative of long hot summer holidays by the beach with adolescent love, boogie…[Read more]
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Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group
The Renaissance Society of America on Humanities Commons 2 years, 8 months agoThomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]
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Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 8 months agoThomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]
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Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 8 months agoExamines Shakespeare’s The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle’s Metaphysics, specifically his theories of substance and individuation.
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Sonia D. Andras deposited Allo, allo, ici le Bucharest du pedigree! The nationalization of women’s fashion in interwar Bucharest (OA) in the group
History on Humanities Commons 2 years, 8 months agoThe newly formed Greater Romania engaged in a process of modernization, with Bucharest as its flagship metropolis, striving to be recognized internationally and reach economic stability. Women’s fashion became a marker in substantiating Romania’s self-assertion as a modern state, with great emphasis on creating a viable textile industry. This occ…[Read more]
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Sonia D. Andras deposited Crafting Illusions: Fashion as a Means of Decoding Social and Cultural History in Interwar Bucharest (OA) in the group
History on Humanities Commons 2 years, 8 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the Little Paris. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what type of role…[Read more]
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Sonia D. Andras deposited Creating City Chic. The Parisian Influence on Interwar Bucharest Fashion (OA) in the group
History on Humanities Commons 2 years, 8 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]
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Sonia D. Andras deposited Fashion, Dress, Costume: a Proposed Terminological Clarification in the Historical Research of Women’s Clothing in the group
History on Humanities Commons 2 years, 8 months agoThis paper delineates the conceptual variations between the notions ‘fashion’, ‘dress’ and ‘costume’ in English-language texts on women’s garment histories using relevant examples from interwar Romanian periodicals. The aim is to offer a more precise formulation, as these three terms have largely been used interchangeably. This paper is built on a…[Read more]
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Sonia D. Andras deposited Fashion, Cinema, and German-American Propaganda in 1930s Bucharest in the group
History on Humanities Commons 2 years, 8 months agoThis paper explores how Bucharest’s cinema-going public perceived the Nazi influence on Hollywood in the 1930s. The aim is to identify how Nazi propaganda was disseminated and consumed in interwar Bucharest and its similarities to the idea of glamour, relevant both to fashion and cinema. Considering the links between Goebbels’ propaganda mac…[Read more]
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Christopher Crosbie deposited Refashioning Fable through the Baconian Essay: De sapientia veterum and Mythologies of the Early Modern Natural Philosopher in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 9 months agoShortly after publishing the first edition of his Essays in 1597, Francis Bacon drafted De sapientia veterum, a series of unpublished essays designed to re-read classical mythology as indicative of political and scientific truths. An early, if partial, expression of Bacon’s project to facilitate mastery over the natural order, De sapientia has c…[Read more]
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Christopher Crosbie deposited “’Strange Serious Wantoning:’ Early Modern Chess Manuals and the Ethics of Virtuous Subterfuge in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 9 months agoThis essay examines English Renaissance chess manuals in order to understand why chess, a game that encourages subterfuge and stratagem, was nonetheless figured as the paradigmatic example of a virtuous pastime. Particular attention is given to da Odenara Damiano’s The Pleasaunt and Wittie Playe of the Cheasts (1564), Arthur Saul’s The Famous Gam…[Read more]
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Pramod Ranjan deposited दंगा नहीं, दमन in the group
History on Humanities Commons 2 years, 9 months agoराजस्थान के गोपालगढ कस्बे में 14 सितंबर, 2011 को हुई सांप्रदायिक हिंसा का विश्लेषण
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Christopher S. Rose deposited Trial by Virus: Colonial Medicine and the 1883 Cholera in Egypt in the group
History on Humanities Commons 2 years, 9 months agoThis article explores how public health was transformed in Egypt soon after its occupation by Great Britain in 1882. Over the course of the nineteenth century, the Egyptian state had invested substantially in health to boost the nation’s economic and military strength, and, especially after the opening of the Suez Canal in 1869, to address E…[Read more]
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Alexa Alice Joubin deposited “Do English Audiences Have the Toughest Time with Shakespeare?,” Quarto: The Magazine of the Shakespeare Theatre Association, Spring/Summer, 2023 in the group
The Renaissance Society of America on Humanities Commons 2 years, 9 months agoAll the world’s a stage, but the irony is the rest of the globe often has an easier time understanding William Shakespeare than English speakers. “English audiences are at a disadvantage because the language has evolved and is more and more distant. They need footnotes, props and staging to understand,” said Alexa Alice Joubin, a Shakespeare schol…[Read more]
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