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Alyssa Arbuckle deposited “From Technical Standards to Research Communities: Implementing New Knowledge Environments Gatherings, Sydney 2014 and Whistler 2015” on Humanities Commons 8 years, 4 months ago
On December 8, 2014, researchers, students, librarians, and other participants gathered together in Sydney, Australia at the State Library of New South Wales for the 7th annual Implementing New Knowledge Environments (INKE) Birds-of-a-Feather conference, “Research Foundations for Understanding Books and Reading in the Digital Age.” On January 27…[Read more]
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Alyssa Arbuckle deposited “Enlisting ‘Vertues Noble & Excelent’: Behavior, Credit, and Knowledge Organization in the Social Edition” on Humanities Commons 8 years, 4 months ago
A part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]
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Alyssa Arbuckle deposited “Introduction: ‘Building Partnerships to Transform Scholarly Publishing’” on Humanities Commons 8 years, 4 months ago
On February 5th-6th 2014 researchers, students, and other participants gathered together in Whistler, BC, Canada to discuss issues relating to scholarly publishing in Canada. The day and a half long meeting, “Building Partnerships to Transform Scholarly Publishing,” welcomed participants representing several Canadian libraries and uni…[Read more]
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Alyssa Arbuckle deposited “Intersections Between Social Knowledge Creation and Critical Making” on Humanities Commons 8 years, 4 months ago
This article outlines the practices of digital scholarly communication (moving research
production and dissemination online), critical making (producing theoretical insights
by transforming digitized heritage materials), and social knowledge creation
(collaborating in online environments to produce shared knowledge products). In
addition to…[Read more] -
Alyssa Arbuckle deposited “Considering The Waste Land for iPad and Weird Fiction as Models for the Public Digital Edition” on Humanities Commons 8 years, 4 months ago
What is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot’s notorious 1922 poem The Waste Land. From an academic editorial standpoint, Touch Press’s edition has some grave issues. From a popular standpoint, The Waste Land for…[Read more]
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Alyssa Arbuckle's profile was updated on Humanities Commons 9 years, 1 month ago
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Alyssa Arbuckle changed their profile picture on Humanities Commons 9 years, 1 month ago