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Ian Willis deposited Camden History, Journal of the Camden Historical Society. March 2023 v5n5 in the group
History on Humanities Commons 2 years, 10 months agoCamden History is the Journal of the Camden Historical Society NSW. The journal is published bi-annually, an anthology of historical stories about people and places drawn from Camden and district. The current edition includes Cowells Camellia Nursery; Onslow Assembly Hall, Camden; JD Rankin; Artwork Life Blood; Frederick Sharpe; CD Noble; Photo essay.
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Ian Willis deposited A marvellous Edwardian building in the group
History on Humanities Commons 2 years, 10 months agoThe former Foresters’ Hall occupies one of the most prominent sites in the Camden Town Centre at 147 Argyle Street on the corner of Oxley Street and Argyle Street. On its opening in 1908, the hall was considered the best in New South Wales by the Order of Royal Foresters.
The Royal Foresters purchased the hall site, with frontages on Argyle…[Read more] -
Ian Willis deposited The Enduring Face of the Camden Showgirl in the group
History on Humanities Commons 2 years, 10 months agoThe Camden Miss Showgirl competition is, in many ways, an anachronism from the past. It has survived for 49 years under the onslaught of feminism, post-modernism, globalization and urbanisation. A worthy feat indeed.
The competition is still popular, and the local press is always a strong supporter. The 2010 Camden Showgirl competition attracted…[Read more] -
Ian Willis deposited Miss Showgirl an enduring anachronism in the group
History on Humanities Commons 2 years, 10 months agoOnce again, country show societies are gearing up for the annual New South Wales Miss Showgirl competition. In 2008 500 young women entered the pageant at a local level representing 120 show societies, with the Sydney Royal Easter Show finals. The 2011 Camden Miss Showgirl has attracted seven young local women – four of the seven are university s…[Read more]
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Cagdas Dedeoglu deposited Posthumanism for Sustainability: A Scoping Review in the group
Indigenous Studies on Humanities Commons 2 years, 10 months agoThe purpose of this study is to explore the relationship between posthumanism and sustainability and contribute to the interdisciplinary concept of posthuman sustainability. We conducted a scoping review of 45 peer-reviewed journal articles that met our inclusion criteria and employed co-occurrence analysis based on the clustering techniques of…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
History on Humanities Commons 2 years, 11 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
History on Humanities Commons 2 years, 11 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
History on Humanities Commons 2 years, 11 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
History on Humanities Commons 2 years, 11 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
History on Humanities Commons 2 years, 11 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group
Indigenous Studies on Humanities Commons 2 years, 11 months agoThis contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines…[Read more]
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Wladimir Fischer-Nebmaier deposited Der talentierte Señor Vučetić in the group
History on Humanities Commons 2 years, 11 months agoWer kennt heute nicht die kriminalistischen Fingerabdruckmethoden aus Krimi und Nachrichten? Vor 160 Jahren wurde einer ihrer Pioniere in Dalmatien geboren: Ivan Vučetić. Für die Methode bedurfte es zweier Werkzeuge: einer Klassifizierung von Fingerabdrücken und eines praktikablen Suchverfahrens. Die Erfinder beider Werkzeuge stammten aus dem Kai…[Read more]
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Ian Willis deposited Banking was central to Camden’s prosperity in the group
History on Humanities Commons 2 years, 11 months agoIn central Camden is an empty bank building of understated significance at the intersection of John and Argyle Streets. This building was once the premises of Westpace, formerly the Bank of New South Wales, and was the second banking chamber on that site. Constructed in the 1930s by a prominent firm of Sydney architects, the building is of much…[Read more]
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Paulino Capdepon deposited Pauline Viardot García (1821-1910), una compositora en la Europa del siglo XIX (1821-1910) in the group
History on Humanities Commons 2 years, 11 months agoArticle about the composer Pauline Viardot
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Elton Barker deposited BMCR review of Greta Hawes, Pausanias in the world of Greek myth. Oxford; New York: Oxford University Press, 2021. Pp. xii, 237. ISBN 9780198832553 in the group
History on Humanities Commons 2 years, 11 months agoRecent scholarship has done much to challenge the long-held antipathy towards Pausanias, even if some of the best studies appear “enamored not so much of Pausanias himself as they are of the idea of Pausanias”. As one of the leading new Pausaniacs, Greta Hawes has been at the vanguard of efforts to get the measure of this storied landscape. Her…[Read more]
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Ian Willis deposited Jeff McGill, Rachel: Brumby hunter, medicine woman, bushrangers’ ally and troublemaker for good … the remarkable pioneering life of Rachel Kennedy, Allen & Unwin, Sydney, 2022, 324 pp, ISBN 9781760879983. in the group
History on Humanities Commons 2 years, 11 months agoThis is a thoroughly researched and readable book that provides a glimpse of life in western New South Wales during the late 19th and early 20th centuries through the eyes of a woman, Rachel Kennedy (1845-1930). The book is a wonderful contribution to female biography and regional community history, and illustrates the precarity of life for women…[Read more]
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Elizabeth B. Davis deposited Iglesia, mar y Casa Real: Imaginario de la odisea en la épica del Siglo de Oro in the group
Imperialism & Exploration on Humanities Commons 2 years, 11 months agoIn this book chapter, Dr. Davis examines the depiction of a dissimulated desire for material improvement (mejora) as it is expressed in the epic poetry of imperial Spain, particularly in Alonso de Ercilla’s La Araucana. She shows that within the aristocratic context of the times, the desire for personal betterment or “mejora” is always contingent…[Read more]
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Elizabeth B. Davis deposited Conquistas de las Indias de Dios: Early Poetic Appropriations of the Indies by the Spanish Renaissance in the group
Imperialism & Exploration on Humanities Commons 2 years, 11 months agoProfessor Davis’s early article on appropriations of the Indies by Spanish poets who remained in Spain invites us to contemplate a body of poetry that plays the idea of American treasures against the value of true, spiritual riches.
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Elizabeth B. Davis deposited Time of catastrophe: temporalities in the transatlantic relación of Diego Portichuelo de Ribadeneyra in the group
Imperialism & Exploration on Humanities Commons 2 years, 11 months agoUsing the transatlantic relación of Diego Portichuelo de Ribadeneyra (1657) as an example, this essay tracks some of the ways in which several religious passengers narrated their experience crossing the Atlantic Ocean in the Spanish Indies fleets during the sixteenth and the seventeenth centuries. Of particular importance here are the ways in…[Read more]
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Elizabeth B. Davis deposited Travesías peligrosas: escritos marítimos en España durante la Época Imperial, 1492-1650 in the group
Imperialism & Exploration on Humanities Commons 2 years, 11 months agoThis chapter is the product of a Keynote Address that Dr. Davis offered at the VII Conference of the Asociación Internacional Siglo de Oro which took place at Robinson College, Cambridge, 18-22 July, 2005. Here the author examines a variety of kinds of early modern Spanish maritime writing (sixteenth and seventeenth centuries).
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