Review of Mocedades de Rodrigo. Ed. Leonardo Funes, with Felipe Tenenbaum. Woodbridge, Suffolk: Tamesis. 2004. Originally published in Bulletin of Spanish Studies 83.8 (2006): 982-83.

Review of Barletta, Vincent. Covert Gestures: Crypto-Islamic Literature as Cultural Practice in Early Modern Spain. Minneapolis: University of Minnesota Press, 2005. Originally published in Hispania 89.1 (2006): 50-52.

Review of Young, Douglas C. Rogues and Genres: Generic Transformation in the Spanish Picaresque and Arabic Maqāma. Newark: Delaware: Juan de la Cuesta, 2004. Originally published in Aljamía 19 (529-531).

Review of Díaz-Mas, Paloma. Sephardim: The Jews from Spain. Ed. and trans. George K. Zucker. Chicago: University of Chicago Press, 2007. Originally published in Bulletin of the Society for Spanish and Portuguese Historical Studies 33.1 (33-34).

Review of Szpiech, Ryan. Conversion and Narrative: Reading and Religious Authority in Medieval Polemic (Middle Ages Series). Philadelphia: University of Pennsylvania Press, 2013. Orignially published in Speculum 88.3 (853-855).

Review of Hook, David, ed. The Arthur of the Iberians: The Arthurian Legends in the Spanish and Portuguese Worlds. Cardiff: University of Wales Press, 2015. Orignally published in Arthuriana 26.4 (2016): 78-81.

Review of Robinson, Cynthia. Imagining the Passion in a Multiconfessional Castile: The Virgin, Christ, Devotions, and Images in the Fourteenth and Fifteenth Centuries. University Park: The Pennsylvania State University Press, 2013. Originally published in Revista Hispánica 69.1 (109-112).

Review of Tabea Linhard’s ‘Jewish Spain: A Mediterranean Memory’ (2016): “These essays are nothing short of a manifesto of new Spanish Jewish cultural studies, an area that has long been wanting a champion. In this sense, Jewish Spain is an exciting departure in the study of the Jewish experience and memory in modern Spain.”

Review of Tabea Linhard’s ‘Jewish Spain: A Mediterranean Memory’ (2016): “These essays are nothing short of a manifesto of new Spanish Jewish cultural studies, an area that has long been wanting a champion. In this sense, Jewish Spain is an exciting departure in the study of the Jewish experience and memory in modern Spain.”

This article examines how the Brothers Grimm are fictionalized in German and Anglo-American media. While some representations revere and romanticize the iconic brothers for preserving the fairy-tale tradition, other depictions challenge the conventional understanding of their work and cultural contribution. In these demythologizing depictions, the…[Read more]

Fairy tales are often described in proprietary terms. Because the myth of their origin among the anonymous folk is so strong, the general tendency in both popular and scholarly discourse is to conceive of fairy tales as either the common property of all humanity or the treasures of specific cultures, nations, or ethnic groups. Since the…[Read more]

Scholarship on the Sleeping Beauty tale has gone largely unappreciated. Underlying the story’s obvious themes and motifs—birth, death/sleep, rebirth—and complicating its gender dynamic is a preoccupation with orality and telling that gives the story a significant self-reflective dimension. This article examines how the tale reflects on story…[Read more]

Explores how children of war and adults reflecting on their violent wartime childhoods have had recourse to the space of fairy tales to interpret their traumatic physical environments and their emotional lives within them. To that end, the article (1) considers the nature of time and space in the classic fairy tale; (2) establishes how the…[Read more]

The Grimms’ tale of “Brier Rose” (KHM 50) has self-reflexive characteristics of the Romantic literary fairy tale. In thematizing memory and alluding to the imagery used in the preface to the Grimm brothers’ collection of fairy tales, Wilhelm Grimm’s version of the story self-consciously reflects on its own origins and exhibits a self-awareness…[Read more]

This article focuses initially on a new strand of empirical research that deliberately utilizes folktales and fairy tales to make broader claims for the scientific method and to advocate for the application of evolutionary science to literature in general. After critiquing this work for is its unquestioning reliance on the problematic…[Read more]

A study of the use of proverbs in the film The Company of Wolves (dir. Neil Jordan; screenplay by Jordan and Angela Carter), based on Angela Carter’s adaptation of Little Red Riding Hood tales in her book The Bloody Chamber.

This dissertation presents an alternative history of late medieval literature, one which traces the development of Chinese Buddhist poetry into a fully autonomous tradition. It does so through a careful study of the works of poet-monks in the late medieval period (760–960). These poet-monks established a tradition of elite Buddhist poetry in c…[Read more]

This dissertation presents an alternative history of late medieval literature, one which traces the development of Chinese Buddhist poetry into a fully autonomous tradition. It does so through a careful study of the works of poet-monks in the late medieval period (760–960). These poet-monks established a tradition of elite Buddhist poetry in c…[Read more]

This essay describes the popular Bechdel Test—a measure of women’s dialogue in films—in terms of social network analysis within fictional narrative. It argues that this form of vernacular criticism arrives at a productive convergence with contemporary academic critical methodologies in surface and postcritical reading practices, on the one hand,…[Read more]

Easily the least-mentioned (and read) of Ernest Hemingway’s works (proven by its lack of critical attention), The Torrents of Spring merits rereading for its intertextual play. Hemingway’s use of embedded author’s notes throughout the text guides readers to a more fully aware young writer who offers critiques of composition, authorship, pri…[Read more]