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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Women’s and Gender Studies on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Popular Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
MS Screen Arts and Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
MS Opera and Musical Performance on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
LLC Shakespeare on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations on MLA Commons 9 years, 8 months ago
Shakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Pepa Anastasio changed their profile picture on MLA Commons 9 years, 9 months ago
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Kendra Leonard deposited Music for Richard III: Cinematic Scoring for the Early Modern Monstrous on MLA Commons 10 years ago
On composer William Walton’s use of unusual sonorities to mark Richard III’s physical and mental states
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Kendra Leonard deposited The Use of Early Modern Music in Film Scoring for Elizabeth I on MLA Commons 10 years ago
The various ways Elizabeth is accompanied by music reveal film-makers’ beliefs about and attitudes towards the queen.
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The use of Western and Eastern musics in this adaptation of Twelfth Night
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Kendra Leonard deposited The Lady Vanishes: Vocality and Agency in Cinematic Ophelias on MLA Commons 10 years ago
Ophelia’s music, voice, and agency in selected cinematic adaptations of Hamlet
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Kendra Leonard deposited Rosalind’s Musical Identities in Branagh’s and Doyle’s As You Like It on MLA Commons 10 years ago
Analysis of the score for Branagh’s HBO As You Like It
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Explores the 2006 Odin Teatret production Ur-Hamlet and the connections it makes between music, race, and language.
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Kendra Leonard deposited “From ‘Angel of Music’ to ‘that Monster’: Music for the Human Uncanny in The Phantom of the Opera (1925/1929) on MLA Commons 10 years ago
Examines the music for the 1925/1929 Phantom of the Opera and the ways in which various composers use music to signify the Phantom’s disability.
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Kendra Leonard's profile was updated on MLA Commons 10 years ago
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Kendra Leonard became a registered member on MLA Commons 10 years ago
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Celeste Fraser Delgado replied to the topic Petition in the forum
Prospective Forum: LLC African Diasporic on MLA Commons 11 years, 8 months agoI endorse the formation of this forum.
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Celeste Fraser Delgado changed their profile picture on MLA Commons 11 years, 8 months ago
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Pepa Anastasio changed their profile picture on MLA Commons 12 years, 1 month ago
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Debra Ann Castillo started the topic Animating questions in the forum
Theorizing Fieldwork in the Humanities on MLA Commons 12 years, 3 months agoColloquium planned for University of Pittsburgh: March 28-29, 2014
Completion of edited volume: December 2014Guiding questions:
How do the histories and orientations of different disciplines in the humanities inflect their visions of fieldwork?
How might fieldwork contribute to the goals of the humanities?
How might it expand the topics and…[Read more] - Load More