Moon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]

“Secret Rooms and Borrowed Pianos: Two Women’s Roles in Preserving the Conservatoire Américain during the Occupation”

“Excellence in Execution” and “Fitness for Teaching”: Assessments of Women at the Conservatoire Américain

Review: Review: Nadia Boulanger and the Stravinskys: A Selected Correspondence ed. by Kimberly A. Francis

Review of The Shakespeare Theatre Company’s Oresteia (2019), Adapted by Ellen McLaughlin, Directed by Michael Kahn, Music by Kamala Sankaram, interview with Sankaram

Scholars have explored the relationship between US experimentalism and vitalist
philosophy largely through John Cage’s reception of Henri Bergson. Recent scholarship
has shown the importance of vitalism to the wider New York School. Evidence from
Feldman’s archive suggests he too absorbed Bergsonian philosophy. Feldman signalled
this when he…[Read more]

Poetry about the Brumadinho disaster