Publications

“Reverie, Schmaltz, and the Modernist Imagination.” Journal of the American Musicological Society 74, no. 2 (2021): 289–363.

Debussy’s Critics: Sound, Affect, and the Experience of Modernism (Oxford University Press, 2019).

“Bergson, Debussy, and Early Twentieth-Century Psychologie.” In “Colloquy: Attention, Anxiety, and Audition’s Histories,” ed. Francesca Brittan and Carmel Raz. Journal of the American Musicological Society 72, no. 2 (2019): 563–569.

“Bells and the Problem of Realism in Ravel’s Early Piano Music.” The Journal of Musicology 34, no. 3 (2017): 432-472.

“Riemann in France: Jean Marnold and the ‘Modern’ Music-Theoretical Ear.” Music Theory Spectrum 38, no. 1 (2016): 1-15.

“The Debussyist Ear: Listening, Representation, and French Musical Modernism.” 19th-Century Music 39, no. 1 (2015): 56-79.