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Alina Kondratiuk deposited Віддзеркалення актуальної богословської проблематики в стінописах лаврської школи першої третини XVIII ст. (Reflection of Significant Theological Issues in the Lavra School Paintings of the First Third of the Eighteenth Century) on Humanities Commons 2 years ago
The article discusses the most significant monumental paintings
of the Dormition Cathedral and Trinity Gate Church of Kyiv-Pechersk
Lavra created in the first third of the 18th century. They are сonsidered
in the context of the most important trends of spiritual and cultural life
of the Hetmanate. The author concentrates attention on the…[Read more] -
Alina Kondratiuk deposited ПРОБЛЕМИ АТРИБУЦІЇ МОНУМЕНТАЛЬНОГО ЖИВОПИСУ ЦЕРКВИ СПАСА НА БЕРЕСТОВІ В ІСТОРІОГРАФІЇ ХІХ–ХХІ СТ. (ISSUES OF ATTRIBUTION OF THE MONUMENTAL PAINTING OF THE CHURCH OF THE SAVIOR AT BERSETOVE IN THE HISTORIOGRAPHY OF THE 19th-21st CENTURIES) on Humanities Commons 2 years ago
The article examines the peculiarities of solving the issue of the attribution of the monumental painting of the Church of the Savior at Berestove in the domestic and foreign historiography of the 19th-21st centuries.
The mural painting of the Church of the Savior at Berestove of 1643–1644, made by the efforts of Metropolitan Peter Mohyla, is t…[Read more] -
Alina Kondratiuk deposited ДО ПИТАННЯ СТИЛЮ МОНУМЕНТАЛЬНОГО ЖИВОПИСУ ЦЕРКВИ СПАСА НА БЕРЕСТОВІ 1643–1644 рр. (On the Style of Monumental Painting of the Church of the Saviour at Berestove of 1643–1644) on Humanities Commons 2 years ago
The purpose of the work: to analyze the literature and sources covering the issues of the style of monumental painting of the Church of the Savior at Berestove of 1643–1644 and to revise the terminology traditionally used in relation to the murals of this temple. The research methodology is based on the application of a systematic approach, an a…[Read more]
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Alina Kondratiuk deposited ДО ПИТАННЯ СЕМАНТИКИ МОНУМЕНТАЛЬНОГО ЖИВОПИСУ ЦЕРКВИ СПАСА НА БЕРЕСТОВІ 1643–1644 рр. (On the issue of the semantics of the monumental paintings of the Church of the Savior at Berestove of 1643–1644.) on Humanities Commons 2 years ago
The purpose of the work: to analyze the literature and sources covering the issues ideological and artistic content of the monumental painting of the Church of the Savior at Berestove of 1643–1644. The author’s main focus is on revealing the semantics of the mural’s subjects and interpreting the iconology of the monumental ensemble, which will a…[Read more]
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Alina Kondratiuk's profile was updated on Humanities Commons 2 years ago