This chapter explores the Infinite Summer reading project, in which a group of bloggers read and discussed David Foster Wallace’s Infinite Jest in dialogue with one another and with a wide readership, arguing that such social reading projects present the potential for developing crucial kinds of ethical human connection (of which the novel depicts…[Read more]

The paper represents an up-to-date, comprehensive and accurate account of the history of The Cahier d’ un retour au pays natal in English today. I use the early productions and reproductions of the poem to argue that Césaire’s early work is meant for an American (in the broad sense of the word) audience. Using textual evidence and archival…[Read more]

This brief piece tells the story of my discovery of the Saint-Dié Typescript of Et les chiens se taisaient. The text also provides a preliminary description of the typescript, a summary of the plot of the historical drama, as well as a brief comparison with the published version of 1946.

With the discovery of the earliest known manuscript version of Et les chiens se taisaient, we learn that Césaire had started thinking about the theater earlier than had been assumed, and most important, that he had originally envisioned this work as a historical drama based on the Haitian Revolution. “Migrant Textuality” explores the several vers…[Read more]

This paper explores the literary potential of the personal blog, arguing that the form may usefully understood in relationship to the early novel. As it has been argued that the representations of individual characters in the early novel helped to bring the modern understanding of the individual into being, so this paper argues that the character…[Read more]

Critical credo: on the significance of openness in humanities scholarship.