This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

In der wissenschaftlichen Übung wollen wir uns dem Thema der Visualisierung in der geisteswissenschaftlichen Forschung annähern. Dabei wollen wir uns genauer anschauen,
welche grundlegenden Techniken es in der Visualisierung von fünf verschiedenen Bereichen (Text, Raum, Sequenzen, Netzwerke und Quantitäten) gibt, und diese in jeweils zwe…[Read more]

Mapping fields using co-citation information is a common endeavour in many disciplines but has rarely been performed in the humanities. In this article, I use data from 417 back-of-book source indices to map the field of ancient Mediterranean religion on three levels: sub-discipline, ancient work, and references in ancient works. The method…[Read more]

Book review

Whether or not you’ve heard the phrase ‘the Sixties Scoop’ probably depends on where you live, your heritage, and whether you ever had the opportunity to learn about the history of Indigenous peoples. Many don’t. The word ‘scoop’ is mild, and therefore deceptive. It’s the name given to a component of Canada’s cultural genocide conducted again…[Read more]

This published by the publication ‘The Contingent’ https://contingentmagazine.org

In this piece Alicia writes about archeology as adventure, in the context of a long history of colonial exploration and exploitation of Indigenous peoples in the Canadian ‘wilderness’. https://adventureuncovered.com/stories/the-brown-bear-and-i-archeology-adventure-and-colonisation-in-the-canadian-wilderness/

The article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)

The article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)

The act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]

The act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]

Some thoughts on Boris Eldagsen’s Image, well ‘photograph’, an AI generated image.

Review of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.

Review of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.

This article argues that the analysis of a threedimensional image demanded a three-dimensional approach. The authors realise that discussions of images and image processing inveterately conceptualise representation as being flat, static, and finite. The authors recognise the need for a fresh acuteness to three-dimensionality as a meaningful – a…[Read more]

This article argues that the analysis of a threedimensional image demanded a three-dimensional approach. The authors realise that discussions of images and image processing inveterately conceptualise representation as being flat, static, and finite. The authors recognise the need for a fresh acuteness to three-dimensionality as a meaningful – a…[Read more]

Essay on the NiCHE-Canada website: https://niche-canada.org/2023/10/30/what-is-a-heritage-river/

Book review

This article discusses four pictograph sites in the Lake of the Woods where the images were interpreted by several Indigenous peoples.