Marco Heiles, Heinrich Kaufringer Bibliographie 1809–2017, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://mittelalter.hypotheses.org/9836, Stand: 07.05.2019.

Proposta para trabalho final de Mestrado em Interpretação Artística – Piano, acerca do compositor italiano do século XX Luigi Dallapiccola (1904-1975) e da sua obra para piano. Serão abordados aspetos biográficos, o contexto sociopolítico e cultural na Europa e Itália na primeira metade do século, o enquadramento das obras para piano no contexto…[Read more]

Les usages de la reproduction sonore parmi les musulmans mauriciens illustrent les liens entre religion publique et médiation religieuse. Les usages de la reproduction sonore parmi les musulmans mauriciens illustrent les liens entre religion publique et médiation religieuse. Ces deux dimensions de la religion s’appuient sur des objets mat…[Read more]

This thesis examines the relationship of the ‘approved’ avant-garde culture to the ‘outsider’ culture of experimentalism. This relationship exhibits some parallels to the idea of cultural hegemony articulated by Edward Said in Orientalism and is informed by four basic aesthetic principles. These principles can be found in the work of Corneli…[Read more]

On June 17, 2018, the Aquarius, a boat carrying refugees, docked in Valencia. The wave of solidarity that ran through the city and neighboring towns in response to this arrival was intermingled with ignorance of a phenomenon—migration across the Mediterranean Sea—that has been a historical constant, and which indexes both the aspirations and fea…[Read more]

This articel identifies the German cookbook in the manuscript Solothurn, Zentralbibliothek, Cod. S 490 as a copy of a ‘Küchenmeisterei’-print (from 1487 or later).

Ernst Haeckel and Emil du Bois-Reymond were the most prominent champions of Darwin in Germany. This essay compares their contributions to popularizing the theory of evolution, drawing special attention to the neglected figure of du Bois-Reymond as a spokesman for a world devoid of natural purpose. It suggests that the historiography of the German…[Read more]

Call for papers for the II Historical Soundscapes Meeting – Évora 2019, that will take place at the University of Évora, October 16th-18th, 2019. The meeting is organized by the FCT research project PASEV – Patrimonialization of Évora’s Soundscape (1540-1910) (ref ALT20-03-0145-FEDER-028584 • LISBOA-01-0145-FEDER-028584). Further information and…[Read more]

In recent years social scientists have been interested in the growth and transformation of global cities. These metropolises, which function as key command centers in global production networks, manifest many of the social, economic, and political tensions and inequities of neoliberal globalization. Their international appeal as sites of financial…[Read more]

Finite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]

‘Große Heidelberger Liederhandschrift’, ‘Ambrasser Heldenbuch’, ‘Rostocker Liederbuch’, ‘Hausbuch des Michael de Leone’, ‘Heidelberger Schicksalsbuch’, ‘Alsfelder Dirigierrolle’, ‘Bamberger mathematisches Manuskript’ …, there are many established names for medieval German manuscripts. Their proper names consist of nominal phrases and the heads…[Read more]

The twentieth-century debate between modernist and postcolonial scholars around the figure of W.B. Yeats should move beyond purely modern or postcolonial frameworks. Yeats’s poems can be read as meditations through which the Irish poet both anticipates the promise of a postcolonial, modern world, and yet remains attached to the lasting structures…[Read more]

In this chapter I discuss how contests about religious language have revolved around a contrast between, on the one hand, a preference for literalism, with its emphasis on reference and denotation; and on the other hand, a valuation of the poetic functions of language and its material properties. Turning to the issue of electronically mediated…[Read more]

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]

This paper paper reviews the concepts of interculturality and internationalization of higher education, discussing the relationship between them and additional languages, drawing on some considerations on the use of an approach for the teaching-learning-use of additional languages, known as the intercomprehension approach. The review offered here…[Read more]

The purpose of this study is to explore in depth the concerns that limit the participation of developing countries in the WTO Dispute Settlement Proceedings. To this end, it investigates the current practice of WTO members. By interviewing Arab specialists, it seeks to understand why Arab developing members are reluctant to use the Dispute…[Read more]

This dissertation traces the emergence of transnational political institutions among Arabophone Ottoman emigrants living in New York City, São Paulo, and Buenos Aires, and analyzes the development of a long-distance nationalist politics among emigrant activists during and after World War I. Using socially-produced primary materials written and…[Read more]

This bibliography presents selected sources (mostly in English) at the intersection of music and architecture. Many of the sources approach the relationship between the practices through multiple case studies. Several books focused on particular artists in both disciplines have been included not because those artists are central to the study of…[Read more]

Acknowledging the central role art from around the globe played in the production of the modern, this seminar will engage with the emergent art historical, methodological, and theoretical literature shaping the history of modern art after the global turn. Particular case studies of regional art movements (in e.g. Cuba, Brazil, India, Japan, Iran,…[Read more]

Artists around the world grappled with the modern, working through local concerns and struggles but continually engaged with counterparts in Europe, North America, and across the “global South.” This course will introduce art, artists, movements, and institutions of modernism from approximately 1880 to the present and from outside of the nor…[Read more]