Albertine Fox
,@albertine
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Albertine Fox's profile was updated on Humanities Commons 5 years, 1 month ago
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Albertine Fox deposited The end but not the end: twist, revolt, survive in the group
MS Screen Arts and Culture on MLA Commons 5 years, 9 months agoA write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shi…[Read more]
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Albertine Fox deposited The end but not the end: twist, revolt, survive in the group
French Literature & Cultural Studies on MLA Commons 5 years, 9 months agoA write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shi…[Read more]
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Albertine Fox's profile was updated on MLA Commons 5 years, 9 months ago
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Albertine Fox deposited The end but not the end: twist, revolt, survive on MLA Commons 5 years, 9 months ago
A write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shi…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group
MS Visual Culture on MLA Commons 10 years, 1 month agoThis article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group
MS Sound on MLA Commons 10 years, 1 month agoThis article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group
MS Screen Arts and Culture on MLA Commons 10 years, 1 month agoThis article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group
LLC 20th- and 21st-Century French on MLA Commons 10 years, 1 month agoThis article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group
GS Poetry and Poetics on MLA Commons 10 years, 1 month agoThis article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. on MLA Commons 10 years, 1 month ago
This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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Albertine Fox changed their profile picture on MLA Commons 10 years, 5 months ago
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Albertine Fox became a registered member on MLA Commons 10 years, 5 months ago