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Malin Lidström Brock deposited Philomena and Ireland’s Mother-and-baby Homes in the group
Film Studies on Humanities Commons 5 years agoThis chapter examines the portrayal of Ireland’s mother-and-baby homes in Stephen Frear’s film Philomena (2013) and the biography on which the film is based, the British journalist Martin Sixsmith’s account of Philomena Lee’s life and search for her son, who was given up to an American couple for adoption under coercive circumstances. Enforced a…[Read more]
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Richard Bossons deposited MAN WITH A MOVIE CAMERA: trainspotting! in the group
Film Studies on Humanities Commons 5 years agoAs with many of the Kinoks’ films trains often appear in Dziga Vertov’s 1929 masterpiece, ‘Man with a Movie Camera’. Used to create dynamism, criss-crossing the screen, often at dramatic angles, and acting as a counterpoint to previous and following scenes. Train sequences also signpost a journey to Odesa by the eponymous cameraman. The paper…[Read more]
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Richard Bossons deposited MAN WITH A MOVIE CAMERA: the movie cameras in the group
Film Studies on Humanities Commons 5 years agoDziga Vertov’s 1929 masterpiece ‘Man with a Movie Camera’ is a staple of film studies courses and academic papers but there has been no research until now into the important ‘co-stars’ of the film, the movie cameras. This paper discusses in detail the Debrie Parvo and other cameras used by the film’s cinematographer Mikhail Kaufman.
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Richard Bossons deposited MAN WITH A MOVIE CAMERA: the first cinema screening in the group
Film Studies on Humanities Commons 5 years agoThe definitive timeline for the early screening of Dziga Vertov’s 1929 masterpiece has been established for the first time. This illustrated paper looks at the details of the first showing of the film in Kyiv, Kharkiv, Moscow, and Germany. The earliest (pre-release) review of the film in 1928 has been translated into English for the first time,…[Read more]
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Richard Bossons deposited MAN WITH A MOVIE CAMERA: the film locations in the group
Film Studies on Humanities Commons 5 years agoFollowing extensive research and detective work, most of the locations used in Dziga Vertov’s 1929 masterpiece have been discovered. Described by leading film academics as ‘extraordinary and exciting research’ and ‘a huge step ahead in knowledge of the film’ the paper describes each location in detail including contemporary and current views. The…[Read more]
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Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Film Studies on Humanities Commons 5 years agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
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Ostap Kushnir deposited Business, Values, and EU’s Response to Protests in Ukraine: Cases from 2003–2004, 2010, and 2013–2014 in the group
Anthropology on Humanities Commons 5 years agoThis book aims to uncover and assess changes in the EU’s foreign policy towards Ukraine in the times of wide-scale social protests in Kyiv. To accomplish this task, this book enlists and analyses documents, agreements, and treaties which establish the frameworks for EU-Ukraine cooperation. It also identifies the interests of lobbying groups in…[Read more]
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Maciej Junkiert deposited Responsibility as a historiosophical category. The case of Cyprian Norwid in the group
Global & Transnational Studies on Humanities Commons 5 years agoFor many reasons, the mid-19th century was a time of intensified interest within literature and philosophy in outstanding individuals who were ahead of
their times and opened up new prospects for the world as it developed. In this respect, Norwid shared the views of his era. Studies on his oeuvre have spread
the sound view – even in the i…[Read more] -
José Angel GARCÍA LANDA deposited An Interactional Theory of Truth: On Searle on Truth and Facts in the group
Anthropology on Humanities Commons 5 years agoThis is a critique of the logicist theory of truth and facts set forth in the final section of John R. Searle’s book ‘The Construction of Social Reality’ (1995). Searle’s logicist account, much in the line of his theory of speech acts, is contrasted to a pragmaticist and interactionalist perspective on truth, facts, and discourse. Keywords:…[Read more]
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Joanne Bernardi started the topic Call for Submissions: Digital Activism In and Outside the Classroom in the discussion
Global DH on Humanities Commons 5 years agoCall for Papers The Global Digital Humanities Working Group in the Central New York Humanities Corridor seeks graduate students and recent PhDs to participate in a work-in-progress workshop on the theme “Digital Activism in and Outside the Classroom,” to be hosted virtually by the University of Rochester on April 2, 2021. Selected participants wil…[Read more]
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Kath Burton started the topic Public Humanities and Publication working paper in the discussion
Humanities March on Humanities Commons 5 years agoToday we are posting the first paper from the Publishing and Publicly Engaged Humanities working group: https://hcommons-staging.org/?get_group_doc=1003800/1611561373-PublicHumanitiesandPublication_workingpaper2021.pdf
Exploring the challenges associated with the publication of public and publicly engaged humanities scholarship, this paper is…[Read more]
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Anne Eakin Moss deposited The Camera Shot and the Gun Sight in the group
Film Studies on Humanities Commons 5 years agoThis article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of…[Read more]
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Dorothy Kidd deposited Standing rock and the Indigenous commons in the group
Global & Transnational Studies on Humanities Commons 5 years, 1 month agoA new cycle of communications commons has become part of the contemporary repertoire of Indigenous first nations in North America. The mobilization of the Standing Rock Sioux is perhaps the best-known example of a continent-wide cycle of resistance in which Indigenous communities have employed a combination of collectively governed land-based…[Read more]
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Fabio Andrés Díaz Pabón deposited Right-wing populism and the mainstreaming of protests:The case of Colombia in the group
Global & Transnational Studies on Humanities Commons 5 years, 1 month agoUnlike other Latin American countries, Colombia has consistently been governed by centre-right or right-wing political parties. The absence of political space for the Left in this country allowed governments to portray protests as subversive and criminal. However, starting in 2008, right-wing politicians have embraced, supported…[Read more]
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Samuel Adu-Gyamfi deposited WOMEN AND BIOMEDICAL HEALTHCARE IN A COMMUNITY IN GHANA in the group
Anthropology on Humanities Commons 5 years, 1 month agoThe contribution of women to the development of societies and medicine around the world cannot be overstated. Their contribution to medicine is great; this is seen, in particular, in their role among other physicians, obstetricians, nurses, herbalists, and assistant physicians. Despite the significant contribution of women to medicine and health…[Read more]
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Sérgio Dias Branco deposited Laughing in Friendship: The Intimate Ensemble Comedy of “Friends” in the group
Film Studies on Humanities Commons 5 years, 1 month agoThis paper analyses the sitcom “Friends” (1994-2004) and its performance motifs.
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Sérgio Dias Branco deposited Being Her/She in “Who Are You?” in the group
Film Studies on Humanities Commons 5 years, 1 month agoAnalysis of the episode from television series “Buffy the Vampire Slayer”, “Who Are You?” (4.16).
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Sérgio Dias Branco deposited “The Urban and the Domestic: Spaces of American Film Noir” in the group
Film Studies on Humanities Commons 5 years, 1 month agoUrban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. The connection between such spaces and noir cannot be considered only as motivational (an association between city and crime) or protective (a separation between home and violence). The context of this genre must be considered more largely as the…[Read more]
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Sérgio Dias Branco deposited “The Class of Images: Sketch for a Research Project” in the group
Film Studies on Humanities Commons 5 years, 1 month agoThe concept of class has been progressively erased in contemporary discussions around art — and other topics. The explanatory power of this economic and social category, as articulated by Karl Marx, has been annulled precisely at a time when the contradictions of late capitalism are growing, composing an ideological background that creates c…[Read more]
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Sérgio Dias Branco deposited “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant” in the group
Film Studies on Humanities Commons 5 years, 1 month agoInterview with Catherine Grant about her move to Birkbeck, teaching and research, the project [in]Transition, changes in scholarship, and technology and the humanities.
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