Heschel refers to a “deeper knowledge” and observes that “what is we cannot say.” Heschel states about the ineffable aspect of consciousness which is beyond conscious expression: “Essential to human thought is not only the technique of symbolization but also the awareness of the ineffable. In every mind there is an enormous store of not-knowi…[Read more]

En la producción científica no se visualiza un marco teórico sólido que oriente a la gestión documental en la administración pública. Se carece de lineamientos claros y precisos sobre cómo organizar, clasificar y preservar los documentos generados en el ejercicio de las funciones públicas. La falta de políticas y herramientas adecuadas para su g…[Read more]

Abstract: https://teimec2023.uni-paderborn.de/contributions/188.html

It is common engraving practice for “two or more players – or a divided string section with only single notes per division” (Gould 2011) to share a staff in an orchestral score, such as clarinet I and clarinet II. This practice addresses issues such as stemming, sharing musical content, placement of ties and slurs, and more. With respect to these…[Read more]

It is common engraving practice for “two or more players – or a divided string section with only single notes per division” (Gould 2011) to share a staff in an orchestral score, such as clarinet I and clarinet II. This practice addresses issues such as stemming, sharing musical content, placement of ties and slurs, and more. With respect to these…[Read more]

The role of the internet in fomenting male supremacist ideology must be understood within the larger cultural context that undergirds and naturalizes such rhetoric. Traditional conservative (TradCon) sections of the manosphere valorize a patriarchal social order centering traditional gender roles. According to TradCon reasoning, men, under attack…[Read more]

As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig…[Read more]

As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig…[Read more]

As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig…[Read more]

Front matter for the Proceedings of the Music Encoding Conference 2022.