Anthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a…[Read more]

Critique of orthodox American Studies in the last quarter of the twentieth=century.

Survey of the rise of sikolohiyang Pilipino (Filipino psychology) in the context of decolonization and indigenization movements in the Philippines in the last decades of the 20th century.

Cognitive science can help literary scholars formulate specific questions to be answered by archival research. This essay takes as its starting point embedded mental states (that is, mental states about mental states) and their role in generating literary subjectivity. It then follows the transformation of embedded mental states throughout several…[Read more]

This essay exemplifies a cognitive approach to literary and film studies, with particular emphasis on fictional reimagining of legal institutions. It draws on research of cognitive scientists who study metacognition—specifically, the difference between reflective and intuitive beliefs—to suggest that courtroom dramas, such as Billy Wilder’s Witne…[Read more]

Der Beitrag widmet sich dem satirischen Humor Jean Pauls als schwarzem Humor skizzenhaft ausgehend von der Fundierung des ästhetischen Humors in der Weltverachtung (§ 33 der “Vorschule der Ästhetik”). In einer Lektüreminiatur zur späten menippeischen Satire “Des Geburthelfers Walther Vierneissel Nachtgedanken über seine verlornen Fötus…[Read more]

This interview with esteemed literary critic J. Hillis Miller was conducted via Skype on July 17, 2013. Miller speaks about a number of issues important to his life and work. Providing a number of emblematic parables, Miller discusses his early career, his work on the poetry of William Carlos Williams, and his famous essay “The Critic as H…[Read more]

This interview with literary critic Jonathan Arac was conducted at the University of Pittsburgh on May 19, 2015. Arac, a member of the boundary 2 editorial collective since 1979, speaks at length about his life and work. Addressing the impact of theory on his career, he discusses how he came to be associated with the New Americanists, his project…[Read more]

The prominent Russian writer and Nobel Prize Laureate Alexander Solzhenitsyn (1918–2008) was known mainly for his work on the Soviet prison camps. In many of his fictional and non-fiction works, however, Solzhenitsyn dealt with the subject of Germany. This article analyses Solzhenitsyn’s depiction of Germany in the works August 1914, The Gulag A…[Read more]

This is a book review that evaluates the Spanish-language edition of the letters written by the Mexican poet Helena Paz Garro to the German writer Ernst Jünger, which were originally written in French. The reviewer had access to the original letters in the German Literature Archive in Germany and she compares the original texts with the…[Read more]

The glocal scale offers a more productive frame for analyzing the transculturation of theatre, particular Brechtian theory and practice, than either the singularly local or the generalized global. Glocalization brings into focus networks of imaginative representation that may be missed in overbroad applications of global frameworks, particularly…[Read more]

This document is a basic guide for graduate students who need to work in archives or other special libraries. The guide includes items to bring or have on hand as well as steps for planning your visit and organizing your notes.

Der Aufsatz widmet sich dem Jean Paulschen Witz als einem grundlegenden Verfahren, das maßgeblich zur Poetizität seiner satirischen Prosa beiträgt. Der Gang der Argumentation führt vom Wort-Schatz als Ressource des Witzes (I.) über die Manöver des (unbildlichen) Witzes (II.), die sprachliche Selbstreferenz des Wortspiels (III.) und die Anagr…[Read more]

Mit dem Begriff des Plagiats findet Wilhelm Raabe in “Gutmanns Reisen” eine Chiffre für seine Praxis unhintergehbarer Intertextualität. Angesichts einer durch starke Vorgänger und eine stetig anwachsende ‘Literaturgeschichte’ fraglich gewordenen Kategorie des Neuen behauptet Raabe eine paradoxe Autorschaft originärer Sekundarität, die darin best…[Read more]

Raabe schreibt eine Prosa, die er an der Verdichtung der Versdichtung bemisst und die sich die Umwendung zum Modell nimmt. Ein Text, der diesen Umstand im Zeichen der Korrektur ‘dürftiger Prose’ inszeniert und den ich daher eine Programmschrift der Prosa nenne, liegt mit “Deutscher Mondschein” vor. Auf der Textbühne der Satire werden nicht nur d…[Read more]

An innovative account that brings together cognitive science, ethnography, and literary history to examine patterns of “mindreading” in a wide range of literary works.