In two very influential papers from 2008, Tamar Gendler introduced the concept of “alief” to describe the mental state one is in when acting in ways contrary to their consciously professed beliefs. For example, if asked to eat what they know is fudge, but shaped into the form of dog feces, they will hesitate, and behave in a manner that would be…[Read more]

Reich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]

This research investigates the practice of resounding the archival material of voice, when translating the sound object from analogue to digital. The author is focussing on the voice as spoken word, when the archival voice has been temporarily overlooked but preserved. Since technological progress allowed us to record, we have been accumulating…[Read more]

According to Manuel Davenport, “The best humorists–Mark Twain, Will Rogers, Bob Hope, and Mort Sahl–share [a] mixture of detachment and desire, eagerness to believe, and irreverence concerning the possibility of certainty. And when they become serious about their convictions–as Twain did about colonialism…they cease to be humorous”. I agree…[Read more]

This chapter will focus on the overlap and benefits of a humorous and philosophical attitude toward the world and our place in it. The first part of this chapter’s title borrows from Kierkegaard and before him the Christian apologist Turtullian, who once quipped about the central contradictory tenets of Christianity, in putatively ironic f…[Read more]

In the first part of this paper, I will briefly introduce the concept of incongruity and its relation to humor and seriousness, connecting the ideas of Arthur Schopenhauer and the contemporary work of John Morreall. I will reveal some of the relations between Schopenhauer’s notion of “seriousness” and the existentialists such as Jean Paul Sartr…[Read more]

In this paper I borrow from Maria Lugones’ work on playful ” world-traveling ” and W.E.B. Du Bois’ notion of ” double consciousness ” to make the case that humor can facilitate an openness and cooperative attitude among an otherwise closed, even adversarial audience. I focus on what I call ” subversive ” humor, that which is employed by or on…[Read more]

The majority of philosophers of religion, at least since Plantinga’s reply to Mackie’s logical problem of evil, agree that it is logically possible for an omnibenevolent, omniscient, and omnipotent God to exist who permits some of the evils we see in the actual world. This is conceivable essentially because of the possible world known as heaven.…[Read more]

Sedentary pathways to organise teaching and learning in fixed-abode classrooms remain a dominant formal schooling practice. This is in contrast to nomadic pathways, which see teachers and/or learners engaged in a form of mobility whilst teaching/learning outside permanent sedentary settings. In northern Nigeria, not all children participating in…[Read more]

This is perhaps the world’s first book in which a philosopher himself illustrates his own philosophical investigation into hard problems on time, being, solipsism, and life, in the form of “Manga.” This book was originally published in Japanese in 2013 and translated into English by Robert Chapeskie in 2021.

Article sobre l’aportació de l’historiador Josep Massot a la musicologia catalana. Publicat al núm. 56 de la revista “Modèlics” de l’Associació d’Amics del Seminari de Mallorca, dedicat íntegrament a homenatjar el pare Massot.

The Nonassertion Theory of Fiction implies that fictional discourse is quoted discourse. It can stand up against the critique in Walton’s Mimesis as Make-Believe, and avoids the undesirable consequences of that theory. The possibility of hearing music as discursive justifies thinking of (some) music as fiction, against Walton’s reservations.

No tenemos tiempo; nunca como ahora la productividad había dominado cada aspecto de la vida. Nuestras experiencias personales se apropian como bienes extractivos de la industria de datos. El arte crítico hoy aún permite imaginar un tiempo que no pueda ser apropiado por el relato del progreso y el aprovechamiento del tiempo, que posponga la ut…[Read more]

The challenge of developing humane migration and refugee politics in Western states is far from resolved. This ongoing failure is typically attributed to the increased influence of right-wing populism and neo-fascism in Western migration politics. In this article I discuss a more radical explanation: Christoph Menke argues that political…[Read more]

Cicely Foster (1903-2002) va ser una compositora anglesa, alumna entre d’altres d’Alfredo Casella, Alfred Cortot i Nadia Boulanger. El 1932 ella i el seu marit, el pintor nord-americà Archie Gittes, es varen instal·lar a Mallorca. L’illa era aleshores un refugi de bohemis i artites estrangers, entre els quals Robert Graves, Albert Vigoleis T…[Read more]

In ‘Postdigital Politics’ I examine our contemporary postdigital political conjuncture. This conjuncture, I argue, springs from the crisis of representative democracy we are currently experiencing and involves a shift to more direct forms of democracy via postdigital communications. The latter is evident in the decentralised manner in which mov…[Read more]

This paper examines one intellectual and historical premise upon which the foundational distinction between reproduction and resistance rests in critical education: the line of critique against the French communist philosopher Louis Althusser’s theory of education. In the paper, I claim that a particular reading of Althusser coming out of B…[Read more]

In this chapter, I make two interconnected observations. I first consider how musicals inhabit and promote a ‘post-truth’ worldview similar to those reflected in current populist resurgences throughout the West. I argue that it is musical theater’s penchant for the unreal that in recent decades has given it traction within both secular,…[Read more]

The project ‘The Sculptor Speaks’ takes its source from a 1961 tape by British sculptor Barbara Hepworth. Unearthed at the British Library, the tape’s initial purpose was for a pre-recorded talk with slides for the British Council. Every recording is a priori an archival object, which can potentially resound anew through a contemporary carrier, p…[Read more]