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Randye Jones deposited Appendix 8 – Art Songs by African American Composers in Musical Anthologies in the group
Music and Sound on Humanities Commons 6 years, 3 months agoAvailability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Gavin Holman deposited Brass, coal, banners, marching and music: colliery bands and the Durham Miners’ Gala or “Big Meeting” in the group
Ethnomusicology on Humanities Commons 6 years, 3 months agoOf the 762 brass bands I have records of from County Durham, around 130 were colliery bands (and more of them would have been directly connected to the local colliery, even if not specifically named after the mine or mining company). This article looks briefly at the history of the Durham Miners’ Gala and the colliery bands that performed at it.
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Polly Mortimer deposited Anatomy of a Choir: an ethnographic study of the Choir with No Name, and its contribution to the enhancement of wellbeing and a sense of community among its members. in the group
Ethnomusicology on Humanities Commons 6 years, 3 months agoThis is a ‘study of a choir’; the author joined the choir for three months and participated in every aspect, from rehearsals, dinners, a meeting to a gig. They chatted to the members, sang with them and talked to the choir leader and manager about everything from the ethos of the choir, to whether meat was served often enough at dinner. It was the…[Read more]
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Rita Faleiro deposited Elementos biográficos de compositores eborenses do final do século XVIII e início do XIX: contributos do Arquivo Distrital de Évora in the group
Historical Soundscape Studies on Humanities Commons 6 years, 4 months agoBaseado nas informações presentes no Arquivo Distrital de Évora (ISSN 2183-3427), pretende este artigo trazer à luz algumas leituras possíveis sobre a biografia de três dos compositores associados a Évora nos finais do século XVIII e inícios do XIX.
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Rita Faleiro deposited Miguel Anjo do Amaral: um compositor (quase) desconhecido da cidade de Évora in the group
Historical Soundscape Studies on Humanities Commons 6 years, 4 months agoArtigo publicado no volume 1/2019 da Rivista Progressus, ISSN 2284-0869, que pretende analisar alguns dados iniciais sobre Miguel Anjo do Amaral, compositor, cantor e professor de violino em Évora nos finais do século XVIII e inícios do século XIX
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Gavin Holman deposited Brass Band Archive Recordings – a brief guide to recordings of brass bands in libraries, museums and other archives in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoBrass bands are, of course, musical organisations first and foremost, and the bulk of their heritage is bound up in the hundreds of thousands of concerts, marches, contests and other performances they have provided their audiences with over the years. Very few of these live performances were ever recorded, at least until recent years, and we must…[Read more]
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Gavin Holman deposited Comic Bands – Kazoo and Zobo in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoDuring the 1890s and early parts of the 20th century a type of band arose using kazoo-type instruments. Zobo instruments, based on kazoo principles, were invented and developed in the USA in the early 1890s, rapidly becoming a new craze for a while. When the instruments spread to the UK the bands that were formed using them were largely “comic”…[Read more]
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Gavin Holman deposited The Brass Band Bibliography (v.9) in the group
Ethnomusicology on Humanities Commons 6 years, 4 months ago(v9 – August 2019) [c. 6,740 entries] A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics
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Gavin Holman deposited Damen und Damen – Ladies’ professional travelling brass ensembles of the German Empire 1871-1918 in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoTravelling musicians and entertainers had been a part of European life for centuries. In the German speaking countries of Europe during the German Empire there arose a large number of “Damen Kapellen”, troupes of musical and variety entertainers consisting largely of women, usually led by a man, and occasionally including males as players. Thi…[Read more]
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Willamae Boling deposited Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos in the group
Performance Studies on Humanities Commons 6 years, 4 months agoThis thesis focuses on the ways that Beyoncé traverses the boundaries between black and white. In his oft-quoted maxim from White, Richard Dyer states the goal of his book: to make whiteness strange. Using the lenses of critical whiteness studies, and performance studies, I mark the ways in which Beyoncé, one of the pre-eminent pop star of our t…[Read more]
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Lawrence Davies deposited Review: ‘The History of European Jazz: The Music, Musicians and Audience in Context’ ed. by Francesco Martinelli in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoReview of ‘The History of European Jazz: The Music, Musicians and Audience in Context’, ed. by Francesco Martinelli (Sheffield: Equinox, 2018), SAMPLES – Online-Publikationen der Gesellschaft für Popularmusikforschung, 17 (June 2019).
Published online 12 June 2019. -
Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group
Performance Studies on Humanities Commons 6 years, 4 months agoABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more] -
Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group
Music and Sound on Humanities Commons 6 years, 4 months agoABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more] -
Luís Henriques deposited A nova igreja do Convento do Carmo de Évora: uma perspetiva da sua paisagem sonora na segunda metade do século XVII in the group
Historical Soundscape Studies on Humanities Commons 6 years, 5 months agoO convento do Carmo de Évora foi fundado em 1531 com o apoio do Bispo de Évora, o Cardeal Infante D. Afonso de Portugal. A casa carmelita prosperou até 1663 quando as forças militares castelhanas puseram cerco a Évora, destruindo o convento nesse processo. Mais tarde foi oferecido aos frades carmelitas o antigo palácio dos Duques de Braga…[Read more]
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Lajos Brons deposited Patterns, noise, and beliefs in the group
Analytic Philosophy on Humanities Commons 6 years, 5 months agoIn “Real Patterns” Daniel Dennett developed an argument about the reality of beliefs on the basis of an analogy with patterns and noise. Here I develop Dennett’s analogy into an argument for descriptivism, the view that belief reports do no specify belief contents but merely describe what someone believes, and show that this view is also supported…[Read more]
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Alim Al Ayub Ahmed deposited The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh in the group
Performance Studies on Humanities Commons 6 years, 5 months agoThe objective of this study was to investigate the role of self- esteem and optimism in job satisfaction among teachers of private universities in Bangladesh. The measuring instruments used in this study were: 1. Self-Esteem Scale (SES) (Rosenberg’s, 1965) for measuring self-esteem. 2. Life Orientation Test (LOT) (Scheier& Carver, 1985) for m…[Read more]
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Key MacFarlane deposited Hamburg’s Spaces of Danger: Race, Violence and Memory in a Contemporary Global City in the group
Frankfurt School Critical Theory on Humanities Commons 6 years, 5 months agoGermany today is experiencing the strongest upsurge of right-wing populism since the second world war, most notably with the rise of Pegida and Alternative für Deutschland. Yet wealthy global cities like Hamburg continue to present themselves as the gatekeepers of liberal progress and cosmopolitan openness. This article argues that Hamburg’s ur…[Read more]
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Alessandra Ciucci deposited Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy) in the group
Music and Sound on Humanities Commons 6 years, 6 months agoBased on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more] -
Alessandra Ciucci deposited Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy) in the group
Ethnomusicology on Humanities Commons 6 years, 6 months agoBased on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more] -
Randye Jones deposited Appendix 7 – Composers Brief Biographies in the group
Music and Sound on Humanities Commons 6 years, 6 months agoShort biographies, with score and recordings information, of composers of concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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