What role does destruction play in the continued existence of a historical monument? Is destruction an inevitable part of its identity? Huyssen in his 2003 book, Present Pasts, suggests that, “…the only monument that counts, is the one already imagined as ruin.” On the other hand, the creation of the monumental itself is led by a quest for immor…[Read more]

What role does destruction play in the continued existence of a historical monument? Is destruction an inevitable part of its identity? Huyssen in his 2003 book, Present Pasts, suggests that, “…the only monument that counts, is the one already imagined as ruin.” On the other hand, the creation of the monumental itself is led by a quest for immor…[Read more]

What role does destruction play in the continued existence of a historical monument? Is destruction an inevitable part of its identity? Huyssen in his 2003 book, Present Pasts, suggests that, “…the only monument that counts, is the one already imagined as ruin.” On the other hand, the creation of the monumental itself is led by a quest for immor…[Read more]

In an ideal society, all inhabitants would be treated equally, but in reality there are divisions with groups of varying dominance, whether clear or hidden. Usually the dominant groups, powerful either by political, cultural or social hegemony create the narrative of ‘otherness’ and pass laws, some of which could be discriminatory. This is esp…[Read more]

In an ideal society, all inhabitants would be treated equally, but in reality there are divisions with groups of varying dominance, whether clear or hidden. Usually the dominant groups, powerful either by political, cultural or social hegemony create the narrative of ‘otherness’ and pass laws, some of which could be discriminatory. This is esp…[Read more]

In an ideal society, all inhabitants would be treated equally, but in reality there are divisions with groups of varying dominance, whether clear or hidden. Usually the dominant groups, powerful either by political, cultural or social hegemony create the narrative of ‘otherness’ and pass laws, some of which could be discriminatory. This is esp…[Read more]

In an ideal society, all inhabitants would be treated equally, but in reality there are divisions with groups of varying dominance, whether clear or hidden. Usually the dominant groups, powerful either by political, cultural or social hegemony create the narrative of ‘otherness’ and pass laws, some of which could be discriminatory. This is esp…[Read more]

This article collides St. Apollonia’s medieval passion narratives – manuscript illustrations, church screens, and paintings by Francisco De Zurbarán and Carlo Dolci – with A.L. Kennedy’s contemporary short story “Story of My Life” to find out what happens when we move beyond the theoretical violence imposed by traditional approaches to gothic studies.

This article collides St. Apollonia’s medieval passion narratives – manuscript illustrations, church screens, and paintings by Francisco De Zurbarán and Carlo Dolci – with A.L. Kennedy’s contemporary short story “Story of My Life” to find out what happens when we move beyond the theoretical violence imposed by traditional approaches to gothic studies.

This article collides St. Apollonia’s medieval passion narratives – manuscript illustrations, church screens, and paintings by Francisco De Zurbarán and Carlo Dolci – with A.L. Kennedy’s contemporary short story “Story of My Life” to find out what happens when we move beyond the theoretical violence imposed by traditional approaches to gothic studies.

This article collides St. Apollonia’s medieval passion narratives – manuscript illustrations, church screens, and paintings by Francisco De Zurbarán and Carlo Dolci – with A.L. Kennedy’s contemporary short story “Story of My Life” to find out what happens when we move beyond the theoretical violence imposed by traditional approaches to gothic studies.

This article collides St. Apollonia’s medieval passion narratives – manuscript illustrations, church screens, and paintings by Francisco De Zurbarán and Carlo Dolci – with A.L. Kennedy’s contemporary short story “Story of My Life” to find out what happens when we move beyond the theoretical violence imposed by traditional approaches to gothic studies.