Cum officium meum, quo brevi fungar, in hoc constet, quid inter has commentationes et illas, quae in septimo Colloquio Tulliano abhinc triginta annos Varsoviae habitae sint, intersit exquirere, a prooemiis ipsis incipiam: etiam anno MCMLXXXIX duo viri docti praefati sunt, Latine Marianus Plezia et Italice Italus Lana; nec est quin videat quam…[Read more]

Review of . STRAUMANN, Crisis and Constitutionalism. Roman Political Thought from the Fall of the Republic to the Age of Revolution – M.C. ALEXANDER, Roman Amoralism Reconsidered. The Political Culture of the Roman Republic and Historians in an Era of Disillusionment

“Tanner weaves a compelling scholarly narrative, spellbinding in its encyclopedic circumference….her text provides comprehensive historical and ideological context to comprehend the paintings as they would have been understood by their highly educated sixteenth-century patron and Renaissance humanist viewers.” Renaissance Quarterly, Volume…[Read more]

Ontologies for DigitalHumanities – O4DH workshop: Demystifying ontologies, April 20th and 21st, 2021, 5pm to 7pm (Paris time).

‘Demystifying’ is a new series of workshops of the Ontologies for Digital Humanities (O4Dh) initiative supported by the Université Savoie Mont Blanc and Liaocheng University. The 2021 workshops are dedicated to…[Read more]

The publication of my book, Sublime Truth and the Senses: Titian’s Poesie for King Philip II of Spain, ( Harvey Miller: 2019), with a new reading of the heightened meaning of ecstatic imagery for the Hapsburg court, coincides with the exhibition of Titian’s magnificent mythological paintings that are reassembled for the first time since 1704 a…[Read more]

Open Access, Open Science, Open Scholarship, Open Educational Resources, Open (Research) Data, Open Infrastructures, Forschungsdatenmanagent, FAIR Principles, CARE Principles, Digital Humanities, Heritage Science, Digitalisierung, Forschungsinfrastrukturen, Repositorien, European Open Science Cloud etc. etc. sind alles Begriffe, die vielen von…[Read more]

The document consists mainly of supplementary notes on points that would have taken up too much space in the edition or have occurred to me since completing it. Some of them correct errors or omissions, others take account of recently published work. There is also a list of errata, i.e. typos and other small-scale slips.

This course explores key themes related to the archaeology of urbanism and urban centers in the ancient Mediterranean world. The development of urban culture in the Mediterranean world and western Asia will provide an opportunity to discuss cultural interactions and the development of the framework of urban culture in the ancient Near East, while…[Read more]

Entry ‘Aristophanes: Clouds’, in: The Literary Encyclopedia (published version)

Entry ‘Sophocles: Philoctetes’, in: The Literary Encyclopedia (published version)

Entry ‘Ancient Greek Theatre in Italy’ in The Literary Encyclopedia (published version)

Art forms in Troy’s city walls, and Schliemann’s awareness thereof.

Jednym z następstw, związanych z publikacją Orientalizmu Edwarda W. Saida, było zainicjowanie badań Martina Bernala nad historią starożytnej Grecji i jej późniejszymi reprezentacjami w historiografii, literaturze i filozofii. Nie byłoby w tym fakcie zapewne nic dziwnego, gdyby nie to, że ten Brytyjczyk urodzony w 1937 roku w Londynie, wywodzący…[Read more]

This article proposes a new understanding of the etymology of histrio. It is likely that it originally came from Greek histor, as has been demonstrated by Szemerényi 1975. However, the conclusions presented by this scholar must be slightly revised, in particular the distinction he establishes between histrio and ludius. While the second word has…[Read more]

Johann Joachim Winckelmann not only idealized Greek Classical art, but also the whole ancient Classical Greek world in a way that went well beyond what could be envisaged as historical knowledge. His influence on the history of contemporary literature and on classical scholarship, however, is not an obvious topic to scrutinize, since he was almost…[Read more]

In this episode of The History of European Theatre, Phil Rowe interviewed me on the evolution of Greek theatre after the Classical period and the existence of dramatic performances in Greek in Roman Italy.

The article shows that the character of Odysseus in Sophocles’ Ajax and Philoctetes constitutes a crucial element for the redefinition of the concept of ‘nobility’. This figure has already been seen to promote a new definition of the concept, but previous analyses have tended to focus only on one or the other of the two plays, as Odysseus appea…[Read more]

This paper looks beyond Ptolemaic Alexandria to consider the literary dynamics of another Hellenistic kingdom, Attalid Pergamon. I offer a detailed study of the fragmentary opening of Nicander’s Hymn to Attalus (fr. 104 Gow–Schofield) in three sections. First, I consider its generic status and compare its encomiastic strategies with those of T…[Read more]

THEATER OF THE PEOPLE:
SPECTATORS AND SOCIETY IN ANCIENT ATHENS

Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas…[Read more]

Review of Kings, Countries, Peoples: Selected Studies on the Achaemenid Empire, by Pierre Briant, translated by Amélie Kuhrt. Oriens et Occidens, vol. 26. Stuttgart: Franz Steiner Verlag, 2017. Pp. xxv + 633. €99.