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Kendra Leonard deposited Performing Spiritualism in the Silent Cinema in the group
Film Studies on Humanities Commons 7 years, 3 months agoThe silent film era, usually defined as 1895-1927, coincided with a revival of belief in spiritualism in America. Desperate to find meaning in the deaths of the Great War and the 1918 Spanish Flu epidemic, the bereaved sought contact with the dead and evidence of an afterlife. Given this fascination with spiritualism, it is not surprising that the…[Read more]
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Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. in the group
Film Studies on Humanities Commons 7 years, 3 months agoOutlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
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Norberto Barreto Velázquez deposited Rexford G. Tugwell y la Segunda Guerra Mundial in the group
Latin America and the Caribbean on Humanities Commons 7 years, 4 months ago“World War II was the Twentieth Century event of greatest global repercussions. It was the most destructive, intense and geographically inclusive war in the history of the humanity. Puerto Rico was of critical importance for the strategic planning of the United States and the other powers. During the first stages of the war, the maritime areas of…[Read more]
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Norberto Barreto Velázquez deposited The United States Congress and the Peruvian Revolution, 1968-1975 in the group
Latin America and the Caribbean on Humanities Commons 7 years, 4 months agoThe expropriation of U.S. companies —such as the International Petroleum Company— has been signaled in historiography as a decisive factor in determining the stance of the U.S. government towards Peru’s military regime. This study shows that Congressional motivations were rather of a political nature, associated with the seizure of U.S. fishi…[Read more]
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Norberto Barreto Velázquez deposited El gran ausente: el Congreso estadounidense en el estudio de las relaciones entre América Latina y Estados Unidos in the group
Latin America and the Caribbean on Humanities Commons 7 years, 4 months agoA pesar de su innegable importancia por la posición que ocupa dentro del sistema político estadounidense, el Congreso no ha recibido la atención que merece de parte de los estudiosos del desarrollo histórico de la política exterior de Estados Unidos. Enfocados en las acciones del poder ejecutivo, éstos han minimizado o ignorado el papel del Congr…[Read more]
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Paulo Vitor Airaghi deposited Um republicano positivista e a reconfiguração da nação: a trajetória de José Leão Ferreira Souto (1850-1904) in the group
Latin America and the Caribbean on Humanities Commons 7 years, 4 months agoAnalisa a trajetória de vida do ativista republicano José Leão Ferreira Souto (Natal, 1850 – Rio de Janeiro, 1904). Persegue o caminho trilhado por esse personagem, investigando seu caminhar nas três cidades em que viveu: Açu (Rio Grande do Norte), Rio de Janeiro e São Paulo. Privilegia as vivências nessas últimas cidades, nas quais ele concentro…[Read more]
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Michael Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group
Film Studies on Humanities Commons 7 years, 4 months agoMad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]
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Kendra Leonard deposited Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride in the group
Film Studies on Humanities Commons 7 years, 5 months agoIn the 2005 film Corpse Bride, director Tim Burton and composer Danny Elfman collaborate using both musical and visual signifiers to create two very different realms that the main characters must traverse: the land of the living, and the land of the dead. The characterizations of these places appear in the reverse of what a viewer might expect.…[Read more]
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Kyle Frackman deposited Based on a True Story: Tracking What is Queer about German Queer Documentary in the group
Film Studies on Humanities Commons 7 years, 5 months ago“Unter Männern” weaves together three threads of, first, historically relevant memory recited by its chosen protagonists; second, some personal history on the part of the primary filmmaker (i.e., director Ringo Rösener); and, third, between and among them, filmic artifacts or evidence of life in the GDR. This documentary presents the a…[Read more]
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Antonio Sotomayor deposited Celebrating the Colonial Nation in San Germán’s Patron Saint Festivities, 1950s. in the group
Latin America and the Caribbean on Humanities Commons 7 years, 5 months agoThis work addresses the question of how the patron saint festivities in San Germán, Puerto Rico assisted in the reconstruction of the Puerto Rican nation during the 1950s. Particularly, I focus on how community leaders reproduced ideas of nationhood based on hispano-centric, white, Catholic, and patriarchal parameters. I investigate how an…[Read more]
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Kyle Frackman deposited Sex and Socialism in East German Cinema in the group
Film Studies on Humanities Commons 7 years, 5 months agoThis chapter introduces the volume on East German film. The chapter and the volume it introduces surveys a range of depictions of gender and sexuality in East German film and television, from stereotypical and ideologically compliant understandings of femininity and homosexuality to more ambivalent constructions of androgyny, gendered agency, and…[Read more]
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ALMUDENA CORTES MAISONAVE deposited Violencia de género y frontera: migrantes centroamericanas en México hacia los EEUU in the group
Latin America and the Caribbean on Humanities Commons 7 years, 5 months agoEste texto analiza el caso de la migración centroamericana que migra en y por México desde una perspectiva de análisis antropológico y feminista aplicados a las recientes propuestas sobre los regímenes migratorios y de movilidad. Se busca reformular las preguntas tradicionales de investigación que presentan el papel de la violencia criminal como…[Read more]
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Antonio Sotomayor deposited Caribbean Soccer: Hispanoamericanismo and the Identity Politics of Fútbol in Puerto Rico, 1898-1920s. in the group
Latin America and the Caribbean on Humanities Commons 7 years, 5 months agoWhen the United States took possession of Puerto Rico in 1898, an aggressive
Americanization project introduced cultural practices, including
American sports. However, although Puerto Ricans incorporated U.S.
sports to their sporting profile, they did so adhering to a larger Hispanic-
American ideology. Although soccer, or f ´ utbol, was…[Read more] -
Javier Arturo Velásquez Ruiz deposited La educación russelliana: Ciencia y humanidades in the group
Latin America and the Caribbean on Humanities Commons 7 years, 5 months agoOn the ideas of education of the british philosopher Bertrand Russell
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Kyle Frackman deposited Shame and Love: East German Homosexuality Goes to the Movies in the group
Film Studies on Humanities Commons 7 years, 8 months agoThis essay examines the circumstances of the production and appearance of East Germany’s first film about homosexuality (the short documentary “Die andere Liebe” or “The Other Love”), while considering the role it plays in our understanding of the development of German lesbian and gay history. More specifically, this essay provides a reading of…[Read more]
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Walescka Pino-Ojeda deposited The Return to the Social through the Collective “I”: Disrupting the Uneventful Face of Neoliberal Precariousness in the Chilean Documentary El otro día in the group
Latin America and the Caribbean on Humanities Commons 7 years, 8 months agoProduced 21 years after the return to institutional democracy in Chile, Ignacio Agüero’s El
otro día (The other day, 2012) picks up a set of social topics that were left in suspension
under authoritarianism. In doing so, it evidences two main divergences in this renewal of
social projects. Firstly, rather than adopting old hierarchies of det…[Read more] -
Adelheid Heftberger deposited Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen in the group
Film Studies on Humanities Commons 7 years, 8 months agoForschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]
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Marie-Thérèse Labossière Thomas deposited A Haitian Tale of Diasporas and Revolutions in the group
Latin America and the Caribbean on Humanities Commons 7 years, 9 months agoA family tale inspired the author to explore seemingly minor, but related details of the Saint-Domingue, French, and American Revolutions, including the population movements to and from the United States. “A Haitian Tale of Diasporas and Revolutions” is a documented historical and personal narrative through cultures and continents, as…[Read more]
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Reba Wissner deposited No time like the past: Hearing nostalgia in The Twilight Zone in the group
Film Studies on Humanities Commons 7 years, 10 months agoOne of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) is nostalgia, which pervaded many of the episodes of the series. Although Serling himself often looked back upon the past wishing to regain it, he did, however, understand that we often see things looking back that were not there and that the past is often ide…[Read more]
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Stephen Charbonneau deposited “Learning to Look: The Educational Documentary and Post-War Race Relations” in the group
Film Studies on Humanities Commons 7 years, 10 months agoIntroduction to my book, “Projecting Race: Postwar America, Civil Rights, and Documentary Film.” Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for Civil Rights. Drawing on extensive archival research and textual analyses, this book tracks the evolution of…[Read more]
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