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Ian Willis deposited The memory of the Cowpastures in monuments and memorials in the group
Place Studies on Humanities Commons 3 years, 1 month agoThe Cowpastures was a vague area south of the Nepean River floodplain on the southern edge of Sydney’s Cumberland Plain. The Dharawal Indigenous people who managed the area were sidelined in 1796 by Europeans when Governor Hunter named the ‘Cow Pasture Plains’ in his sketch map. He had visited the area the previous year to witness the escaped…[Read more]
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Susanne Wosnitzka deposited Beethovens und Mozarts verschollene Oboenkonzert-Manuskripte: Eine gemeinsame ‘heiße Spur’ in Augsburg in the group
Ethnomusicology on Humanities Commons 3 years, 1 month agoIm Jahr 2002 kam die fast verzweifelte Suche nach Beethovens verschollenem Oboenkonzert zu einem vorläufigen Ende, weil die Forschung an dieser Stelle nicht weiterkam. Jetzt habe ich neue Hinweise auf das autographe Dokument gefunden – und auch auf Mozarts verschollenes Oboenkonzert sowie auf eine unbekannte Oper von Joseph Haydn. Es ist kein Zu…[Read more]
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Susanne Wosnitzka deposited Beethoven’s and Mozart’s Lost Oboe Concerto Manuscripts: A New Lead in Augsburg in the group
Ethnomusicology on Humanities Commons 3 years, 1 month agoIn 2002 the research for Beethoven’s lost oboe concerto came to a temporary end. Now I’ve found new leads to the autograph manuscript – and to Mozart’s lost oboe concerto, too, and to a lost opera of Joseph Haydn. It is no coincidence that all autograph manuscripts are missing at the same time: They were together and possibly are, played in a c…[Read more]
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Marcello Messina deposited The Internet of Musical Stuff (IoMuSt): ubimus perspectives on artificial scarcity, virtual communities and (de)objectification in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 3 years, 1 month agoPart of the recent developments in Ubiquitous Music (ubimus) research involve the proposal of the Internet of Musical Stuff (IoMuSt) as an expansion and complement to the Internet of Musical Things (IoMusT). The transition from IoMusT to IoMuSt entails a critique of blockchain and non-fungible tokens (NFTs) as technologies for allotment,…[Read more]
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Landon Morrison started the topic CFP: “Instruments, Interfaces, Infrastructures” (Harvard, May 11-13, 2023) in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 1 month agoCALL FOR PAPERS
“Instruments, Interfaces, Infrastructures: An Interdisciplinary Conference on Musical Media”
Harvard University Department of Music, May 11-13, 2023
Deadline for submissions: Friday, January 13, 2023
We are pleased to announce a three-day conference bringing together researchers and artists from a variety of music-related disci…[Read more]
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David Olmsted deposited Lachish Ivory Comb Text Translation From Minoan Linear A (1650 BCE) in the group
Writing Systems on Humanities Commons 3 years, 2 months agoThe text signs on this comb are Minoan Linear A and not the Proto-Canaanite of Serabit el-Khadim as claimed in its 2022 archaeology report. Like most pre-classical linear texts found by archaeology, the language of this text is Akkadian which was the language of the Neolithic farming culture which spread into Europe from the Near-East starting…[Read more]
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Katie Lakner started the topic Transcription Help Needed in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 2 months agoHello! I hope everyone had a great conference this weekend. I’ll be honest: my aural skills are terrible and very rusty. Furthermore, my guitar knowledge is practically nonexistent. Still, I love rock music.
I am looking for someone who can transcribe “Beautiful Blue” by Mudcrutch. I plan to use the transcription for personal analytical use.…[Read more]
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Matthew Ferrandino started the topic IASPM-US 2023 CFP in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 2 months agoIASPM-US is hosting the international IASPM conference next year at the University of Minneapolis — Twin Cities, June 26–30, 2023. The CFP is due by November 18.
https://iaspm-us.wildapricot.<wbr />org/IASPM-International-2023
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Matthew Ferrandino started the topic 2022 PMIG Session Schedule in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 3 months ago2022 SMT PMIG Schedule
Friday, Nov. 11, 12:30–2:00pm
Chair: Matthew Ferrandino; Secretary: Emily Milius; Webmaster: Jacob Cupps
12:30–35 – Intro/Welcome
12:35–1:35 – Presentations (details below)
1:35–1:50 – Q&A
1:50–1:55 – Trevor de Clercq, PMIG “Splinter Groups”
1:55–2:00 – AK and OP award recipients [Read more]
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Ian Willis deposited The quay transforms from transport to tourist mecca in the group
Place Studies on Humanities Commons 3 years, 3 months agoCircular Quay was one of the first points of contact between First Nations people and Europeans, and to this day, it is one of the busiest localities on Sydney Harbour. The quay’s history is rich as it is still a busy transport hub, government administration area and commercial zone. In more recent decades, it’s expanded to include thriving…[Read more]
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Ian Willis deposited Sydney’s Customs House – a means of collecting taxes in the group
Place Studies on Humanities Commons 3 years, 3 months agoTaxes and dying. Two certainties in life, and that was certainly the case in colonial Sydney. For more than 150 years Customs House has provided the means of collecting taxes on the movement of goods
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Ian Willis deposited A new horizon on Sydney’s urban frontier: the St Elmo land releases. in the group
Place Studies on Humanities Commons 3 years, 3 months agoJournalist Jeff McGill recently wrote an opinion piece in the Campbel/town Macarthur Advertiser with the heading ‘Nothing “yucky” about fibro cottages’. He continued that ‘Macarthur’s first big housing development was Campbelltown’s St Elmo Estates of the 1950s, guided by Neil McLean, a much-loved developer’.1 The McLean St Elmo land releases were…[Read more]
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Ian Willis deposited ‘Just like England’, a colonial settler landscape in the group
Place Studies on Humanities Commons 3 years, 4 months agoEarly European settlers were the key actors in a place-making exercise that constructed an English-style landscape aesthetic on the colonial stage in the Cowpastures district of New South Wales. The aesthetic became part of the settler colonial project and the settlers’ aim of taking possession of territory involved the construction of a c…[Read more]
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Swati Arora deposited Fugitive aesthetics: performing refusal in four acts in the group
GeoHumanities on Humanities Commons 3 years, 4 months agoThis chapter discusses the aesthetic of refusal as it is articulated in contemporary performances in India and South Africa while debates around the #MeToo movement continue to agitate and exhaust womxn around the globe. In the aftermath of the Indian Supreme Court acquitting the Chief Justice of India of all sexual harassment charges in May 2019,…[Read more]
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Gavin Holman deposited A fanfare of orphans – the brass band of the St-Georges-de-l’Isle orphanage in Saint-Fraimbault-de-Prières in the group
Ethnomusicology on Humanities Commons 3 years, 4 months agoAn example of the brass bands established by various children’s homes, orphanages and similar institutions, around the world in the early 20th century. This French orphanage fanfare band was founded on charitable principles, to give the children musical training and discipline, and to help raise funds for the home.
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Valeria Graziano deposited Public Co-Learning Tools: a Meta-Politics of the Simple for Postdigital Infrastructure in the group
Open Educational Resources on Humanities Commons 3 years, 5 months agoDigital strategies are a public co-learning opportunity, not just a mechanism for pumping content into the fuel tank of the attention economy…
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Behnam M. Fomeshi deposited Fatemeh Shams. A revolution in rhyme: poetic co-option under the Islamic Republic in the group
Arts and Humanities Funding on Humanities Commons 3 years, 5 months agoThis monograph does not represent the 1979 Revolution as a rapture in Persian poetry, rather it sees the continuity; Shams demonstrates that Islamic Republican poetry was in fact in the making decades before the Revolution. In its study of war poetry, this monograph remains focused on official poets alone. For an understanding of other (official)…[Read more]
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Arun Luthra started the topic Songs of the India independence movement in the Carnatic music tradition in the discussion
Ethnomusicology on Humanities Commons 3 years, 5 months agoHello, Everyone–
My video file is too large to attach to this post, so here is the link to my social media post: https://twitter.com/ArunLuthra/status/1559252306738049026.
Can anyone point me in the direction of recordings, oral histories, writing, etc. on the type of songs which V. Sriram is talking about in this interview? The video is an ex…[Read more]
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Steve McCarty deposited Peace Dialogue among Religions: Influence of Religions on Laws and Moral Values in the group
Open Educational Resources on Humanities Commons 3 years, 6 months agoIllustrated script of a stage play created by the author, a peace dialogue among an American Christian, an Israeli Jew, a Saudi Arabian Muslim, and a Japanese Buddhist. It draws from the conflict resolution process pioneered by Johan Galtung and practiced in Peace Studies classes taught by the author and others at Osaka Jogakuin University. It…[Read more]
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Stephanie Leite deposited ReMobilizing the Future—Mastery Project in the group
Open Educational Resources on Humanities Commons 3 years, 6 months ago[COMPLETE OPEN-ACCESS CURRICULUM INCLUDED] ReMobilizing the Future is the third project in the ReImagining the Future series launched by Greenbacker Capital and Global Citizenship Experience Lab School. By asking “how can we design a sustainable future?,” the purpose of this project is to understand the systems and policies that facilitate and…[Read more]
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