Archival theory and archival metaphor remain at the center of new interpretations of computational culture. Very little can be done in contemporary society without leaving a data trace. Extraction and manipulation of data have come to define contemporary capitalism. These accumulations of data constitute vast archives whose functions and impact…[Read more]

One important but under-considered aspect of the connection between television’s rise and the Cold War is the anxiety that the rapid growth in the cultural influence of television produced in its wake, most notably a concern about the older, traditional American culture ostensibly being left behind. Included within this “traditional” culture was…[Read more]

For the past decade, queer and trans rappers have been the dominant force in New Orleans bounce, a dance-centric hip hop genre specific to that city. Inspired by the language of bounce rappers themselves, such as Sissy Nobby, who self-identify as gay and reclaim a once pejorative term to openly express their sexual and gender identities through…[Read more]

With the brazen privatization, if not pending chaotic collapse of Twitter, millions of people are looking for alternative spaces to share their work, thoughts, and ill-conceived memes. Among the many digital migrants are a significant number of academics who looking for guidance, and familiar faces, as they try to make sense of the many new…[Read more]

Of the sixty-plus companies that comprised the collective WILD (Women’s Independent Label Distribution), Goldenrod Music is the only one that remains and still specializes in women’s music. The company’s survival is contingent upon its ability to adapt to changing lesbian communities; it must both meet the communities’ needs and maintain continu…[Read more]

A presentation of the DBER+ Commons research project, presented to the NSF FAIROS RCN inaugural cohort.