The panel discussion was moderated by Prof. Jan Miernowski (Faculty of “Artes Liberales”, University of Warsaw/Department of French & Italian, University of Wisconsin-Madison).

Cum officium meum, quo brevi fungar, in hoc constet, quid inter has commentationes et illas, quae in septimo Colloquio Tulliano abhinc triginta annos Varsoviae habitae sint, intersit exquirere, a prooemiis ipsis incipiam: etiam anno MCMLXXXIX duo viri docti praefati sunt, Latine Marianus Plezia et Italice Italus Lana; nec est quin videat quam…[Read more]

Review of . STRAUMANN, Crisis and Constitutionalism. Roman Political Thought from the Fall of the Republic to the Age of Revolution – M.C. ALEXANDER, Roman Amoralism Reconsidered. The Political Culture of the Roman Republic and Historians in an Era of Disillusionment

“Tanner weaves a compelling scholarly narrative, spellbinding in its encyclopedic circumference….her text provides comprehensive historical and ideological context to comprehend the paintings as they would have been understood by their highly educated sixteenth-century patron and Renaissance humanist viewers.” Renaissance Quarterly, Volume…[Read more]

Ontologies for DigitalHumanities – O4DH workshop: Demystifying ontologies, April 20th and 21st, 2021, 5pm to 7pm (Paris time).

‘Demystifying’ is a new series of workshops of the Ontologies for Digital Humanities (O4Dh) initiative supported by the Université Savoie Mont Blanc and Liaocheng University. The 2021 workshops are dedicated to…[Read more]

The seventh-century apocalyptic dialogue text Doctrina Jacobi nuper baptizati (“Teaching of Jacob, Newly Baptized”) depicts forcibly baptized Jews coming to terms with their new situation in hidden meetings led by Jacob. At a key moment in the text, the last voices of Jewish resistance belong to the wife and mother-in-law of one of the dialogue…[Read more]

The publication of my book, Sublime Truth and the Senses: Titian’s Poesie for King Philip II of Spain, ( Harvey Miller: 2019), with a new reading of the heightened meaning of ecstatic imagery for the Hapsburg court, coincides with the exhibition of Titian’s magnificent mythological paintings that are reassembled for the first time since 1704 a…[Read more]

The document consists mainly of supplementary notes on points that would have taken up too much space in the edition or have occurred to me since completing it. Some of them correct errors or omissions, others take account of recently published work. There is also a list of errata, i.e. typos and other small-scale slips.

Entry ‘Aristophanes: Clouds’, in: The Literary Encyclopedia (published version)

Entry ‘Sophocles: Philoctetes’, in: The Literary Encyclopedia (published version)

Entry ‘Ancient Greek Theatre in Italy’ in The Literary Encyclopedia (published version)

Art forms in Troy’s city walls, and Schliemann’s awareness thereof.

Interpretations of the Theaetetus digression fail to see how it functions in Plato’s argument because they have taken its praise of the philosopher at face value. But this is not the philosopher from Republic. His otherworldliness reflects both Theodorus’ mathematical understanding of philosophy as the study of ‘divine’ objects and the judgeme…[Read more]

Jednym z następstw, związanych z publikacją Orientalizmu Edwarda W. Saida, było zainicjowanie badań Martina Bernala nad historią starożytnej Grecji i jej późniejszymi reprezentacjami w historiografii, literaturze i filozofii. Nie byłoby w tym fakcie zapewne nic dziwnego, gdyby nie to, że ten Brytyjczyk urodzony w 1937 roku w Londynie, wywodzący…[Read more]

In this essay, I consider the ideal ascetic leader depicted in the Life of Moses attributed to Gregory of Nyssa: that leader is not a bishop, but a leader who has more experience with the day-to-day struggles of monks, particularly the kind of struggles described by Evagrius and writers influenced by him.

This article proposes a new understanding of the etymology of histrio. It is likely that it originally came from Greek histor, as has been demonstrated by Szemerényi 1975. However, the conclusions presented by this scholar must be slightly revised, in particular the distinction he establishes between histrio and ludius. While the second word has…[Read more]

Johann Joachim Winckelmann not only idealized Greek Classical art, but also the whole ancient Classical Greek world in a way that went well beyond what could be envisaged as historical knowledge. His influence on the history of contemporary literature and on classical scholarship, however, is not an obvious topic to scrutinize, since he was almost…[Read more]

In this episode of The History of European Theatre, Phil Rowe interviewed me on the evolution of Greek theatre after the Classical period and the existence of dramatic performances in Greek in Roman Italy.

The article shows that the character of Odysseus in Sophocles’ Ajax and Philoctetes constitutes a crucial element for the redefinition of the concept of ‘nobility’. This figure has already been seen to promote a new definition of the concept, but previous analyses have tended to focus only on one or the other of the two plays, as Odysseus appea…[Read more]

This paper looks beyond Ptolemaic Alexandria to consider the literary dynamics of another Hellenistic kingdom, Attalid Pergamon. I offer a detailed study of the fragmentary opening of Nicander’s Hymn to Attalus (fr. 104 Gow–Schofield) in three sections. First, I consider its generic status and compare its encomiastic strategies with those of T…[Read more]