Publications
Creation Sounds: Music, Gender and Performativity in Contemporary Latin American Literature. Champaign, IL: Common Ground Research Networks. doi:10.18848/978-1-61229-951-8/CGP.
https://thehumanities.com/books/featured-books
Her first book,
Poesía y canto popular: Su convergencia en el siglo XX. Uruguay, 1960-1985 (Linardi y Risso, 2005), studies the socio-cultural process of poetry that is set to music at particular times in the history of Latin America. She has also studied music as a subtext in women’s prose, and music in the 20th century Latin American novel. Her poetry has been published in Jones Av. V/2 and in a compact disc compilation,
The Sound of Poetry (2005), and in the first trilingual anthology of Hispano-Canadians writers and artists,
ANTARES 2009: Anthology of Hispanic-Canadian Literary and Artistic Creativity (2009).
Selected Publications
Figueredo, Maria L.
Poesía y canto popular: Su convergencia en el siglo XX. Uruguay, 1960-1985. Poetry and Popular Song: Their Convergence in the Twentieth Century. Th
e Case of Uruguay, 1960-1985. Montevideo: Linardi y Risso, 2005. Pp. 206. ISBN: 9974-559-58-8.
“The Rhythm of Values: Poets and Musicians in Ekphrasis and the Case of Uruguay, 1960-85.” Chapter 6. In Pablo Vila, ed.,
The Militant Song Movement in Latin America: Chile, Uruguay and Argentina. New York: Lexington (RLPG), 2014. Pp. 282. 143-164.
“Networked Poetries: Two Latin American Perspectives.”
The International Journal of Communication and Media Studies (inaugural volume): New Media, Technology, and the Arts. Volume 1, Issue 1 (2016): 23-29.
http://ijp.cgpublisher.com/product/pub.336/prod.6
“El lugar de las cosas indecibles: El silencio en la estrategia novelística de Verónica Lecomte que desmorona el orden discursivo de la violencia.” [The Place of Unsayable Things: Silence in Veronica Lecomte’s Narrative Strategy of Deconstructing the Discursive Order of Violence]
Itinerarios: Revista de estudios lingüísticos, literarios, históricos y antropológicos. [Itineraries. Journal of linguistic, literary, historical and anthropological studies] Warsaw: Institute of Iberian and Ibero-American Studies. Vol. 18 (2014): 285-310.
“The Legend of La Llorona: Excavating and (Re)-Interpreting the Archetype of the Creative/Fertile Feminine Force.”
Latin American Narratives and Cultural Identity: Selected Readings. New York: Peter Lang, 2003. 232-243.
“From Pablo Neruda to Luciana Souza: Latin America as Poetico-Musical Space.”
Latin American Identity after 1980. An Interdisciplinary Volume. Waterloo: Wilfrid Laurier University Press, 2010. 167-195.
