Leslie Thompson
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John Covach deposited “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis article explores the sources of what Dahlhaus calls Schoenberg’s “aesthetic theology” in the philosophical, literary, and mystical writings of late 19th- and early 20th-century Europe.
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John Covach deposited “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis chapter examines Schoenberg’s theoretical ideas on musical structure with particular emphasis on his Variations for Orchestra, op 31.
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John Covach deposited “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis chapter traces the development of the twelve-tone idea in twentieth-century music theory.
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John Covach deposited “Schoenberg’s (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism,” Theory and Practice 42 (2017): 141-59. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis article explores Schoenberg’s engagement with organicism, casting it as an aesthetic ideal.
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John Covach deposited “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis chapter provides a biographical sketch of Hauer’s life and music.
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John Covach deposited “The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception,” Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis article traces the reception of Schoenberg’s theoretical ideas in the English-language music theory community.
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Frans Prasetyo deposited Punk and the city: A history of punk in Bandung in the group
Community Music on Humanities Commons 6 years, 10 months agoPunk in Indonesia has often been described as a spectacular performance of disorder and resistance, a youthful style that posed a disruptive challenge to the authoritarian hierarchy and discipline of the New Order regime. The punk scene in Bandung has developed in the context of what is often referred to as ‘post-authoritarian’ Indonesia. Punk giv…[Read more]