V. 1, N. 3 (March 15, 2020) is titled “Wallpaper Values” and compares and contrasts the values of wallpaper as decorative art, as avatar of social values, and as material culture.

V. 1, N. 4 (April 15, 2020) is titled “Bernard Jacqué, His Thesis, and His Methods.” It shows how Jacqué’s work relates to that of Jules David Prown, an art historian credited with formulating an influential approach to material culture in the pages of the Winterthur Portfolio in the early 1980s.

V. 1, N. 5 (May 15, 2020) is titled “Is Wallpaper Essential?,” answers in the affirmative, and argues for a new definition: “Wallpaper is affordable and flexible, modular in form and design, ordinarily covered with a printed pattern, and made for decorating domestic walls.”

V. 1, N. 2 (February 15, 2020) is titled “Wallpaper and America” and critiques Catherine Lynn’s standard text from 1980, “Wallpaper In America.”

V.1, N.1 is titled “Three Views of Wallpaper” and contrasts the approach to wallpaper of Catherine Lynn, Phillippa Mapes, and Bernard Jacqué.

Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall – Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon, 2003. Translated by Robert M. Kelly.

PDF 3: The Scenic Revival of the Twentieth Century

Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall – Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon (2003). Translated by Robert M. Kelly.

PDF 2: Zuber’s “Indépendance” (1853), a hand-painted restatement of “Scenic…[Read more]

Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall – Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon (2003). Translated by Robert M. Kelly.

PDF 1: A Historiography of Wallpaper