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new open-access journal: Music & Musical Performance–issues 1+2
Tagged: Frederic Chopin; John Cage; art song; Elly Ameling; Beethoven, Hector Berlioz; mddieval music; Johann Sebastian Bach, journal; musicology; music; performance; Iranian composers; Black musicians; people of color; Latinx music; Kinky Friedman; Jewish music; Hans Werner Henze, Ludwig van; Fidelio by Beethoven; Leonore by Beethoven; vocal training; guitar music; French Baroque opera; French Baroque music; Christopher Fox; Sylvie Bodorova; Christopher Luna-Mega
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11 November 2022 at 7:52 am EST #62939
Announcing a New Open-Access Resource:
Issues 1 and 2 of Music & Musical Performance: An International Journal
We, the Chief Editors of Music & Musical Performance: An International Journal, are delighted to announce that our journal has now gone online, with two issues full of essays, scholarly articles, and book and recording reviews.
As its name suggests, Music & Musical Performance is a peer-reviewed journal aiming to shed light on a wide range of topics involving music. It particularly (though not exclusively) welcomes contribution that emphasize the act of making music through performance or composition—and their corollary: the experience of listening to music.
We welcome submissions from a wide range of authors including scholars, performers, composers, and critics (among others).
Issue 1 consists entirely of a re-launch of articles that appeared in issue 1 (2019) of the short-lived International Journal for Music and Musical Performance. IJSMMP was removed from the Internet, along with many other precious online resources, when the not-for-profit Open Music Library was shut down by ProQuest and Alexander Street, the (for-profit) organizations that had hosted OML and thus IJSMMP.
We were fortunate to find a new home for our efforts in Digital Commons, and have received great assistance in setting up the new journal from the library system of Florida International University. If you click on the new journal, you will see not just the issue 1 items (from IJSMMP) but also a very full issue 2, including a major set of reflections by soprano Elly Ameling on the performance of art song. We already have enough material for issue 3 and are accepting submissions for issues 4 and 5. We will publish each issue as soon as it is ready. Our general intent is to publish at least one issue a year and to label the issue with the month and year in which it appeared. (There thus will be no “volume” number as such.)
Below please find the contents of issues 1 and 2, each item given as a hyperlink so you can simply click and read.
M&MP resembles IJSMMP in many ways but is built on a more secure basis. In addition, we have begun to use peer review more regularly than we did with the first two issues. We find it helps us; also, many authors appreciate it they are required by their institution to report which articles or reviews were peer-reviewed.
We would welcome suggestions for future articles, essays, and reviews. Please get in touch with me or any of the other Chief Editors, or else, if the piece is complete, simply upload it at the journal’s site: https://digitalcommons.fiu.edu/mmp/.
All best,
Rob Haskins
for the Chief Editors, M&MP,
Issue 1 (September 2022)
Articles
PDFA “Free Artist of Color” in Late-Eighteenth-Century Saint-Domingue: The Life and Times of Minette
Bernard CamierPDF The Other Side of My Heart: Latina Immigrant’s Oral History in Music
Lorena GuillénPDFKinky Friedman and His Influence on Jewish American Music
Mara W. Cohen IoannidesPDFComparative Study of Tempo Deviations in Four Recordings of Hans Werner Henze’s Du schönes Bächlein for Guitar Solo (1958)
João Raone Tavares da SilvaPDFCross-Cultural Performance of Iranian Contemporary Music: Hommage à Abolhasan, Saba and Masnavi
Liselotte SelsReviews
PDFNouvelles lettres de Berlioz, de sa famille, de ses contemporains, ed. Peter Bloom, Joël-Marie Fauquet, Hugh J. Macdonald, and Cécile Reynaud
Ralph P. LockePDFThink Subtilior/Cercle des Fumeux/Songs and Sounds, Santenay (Julla von Landsberg, voice & organetto; Elodie Wiemer, recorder; Szilárd Chereji, vielle; Orí Harmelin, lute), Ricercare RIC386 (2014)—51 minutes
Mark RimplePDF J. S. Bach: Sonatas for Flute and Harpsichord, Stephen Schultz, baroque flute; Jory Vinikour, harpsichord, Music & Arts CD 1295—55 minutes Rob Haskins
PDFChopin: The Complete Etudes. Jocelyn Swigger, piano. Con Brio Recordings CBR2172—61 minutes Rob Haskins
PDFJohn Cage: Music for Piano 4–84 Overlapped,. Pascale Berthelot, piano. Collection Cuicatl YAN.006—64 minutes
Rob HaskinsPDFJohn Cage: Two2. Mark Knoop and Philip Thomas, pianos. Another Timbre at124x2 (2 CDs, 128 minutes)
Rob HaskinsContributors
Current Issue: Issue 2 (2022)
Articles
PDFSome Thoughts on the Heart of Art Song
Elly AmelingPDFTen Commandments for a Singer
Elly AmelingPDFAnother Side of Elly Ameling
Deen LarsenPDFTen Portraits in Sound of Beethoven’s Leonore
Stephen HastingsPDFDefying the Conventional: Musical Performance, Embodied Cognition, and the Reconfiguration of Institutional Discourse
Dillon ParmerReviews
PDFLudwig van Beethoven: Leonore. Harmonia Mundi 902414, 2019 [review]
Ralph P. LockePDFRomances for Voice and Guitar, arranged by Hector Berlioz. ATMA Classique ACD2 2800, 2020 [review]
Peter BloomPDF‘Brillez, astres nouveaux!’ Arias and Other Excerpts from Eighteenth-Century French Operas by Rameau, Leclair, Boismortier, and Others. Aparte CD AP223, 2020 [review]
Ralph P. LockePDFChristopher Fox: Trostlieder. Kairos 0220005KAI, 2022 [review]
Rob HaskinsPDFSylvie Bodorová: Snow and Stars. Cesky Rozhlas CR 1117-2, 2021 [review].
Tom MoorePDFChristopher Luna-Mega: Time’s Arrow. Other Minds OM 1031-2, 2022 [review]
Rob HaskinsContributors
PDFContributors to Issue 2
Music & Musical Performance: An International Journal digitalcommons.fiu.edu/mmpChief Editors
Rob Haskins, University of New Hampshire
rob.haskins@unh.eduBeatriz Magalhães-Castro, Universidade de Brasília
bmagalhaescastro@gmail.comTom Moore, Florida International University
querflote@gmail.comLuisa Nardini, University of Texas, Austin
nardini@utexas.eduMelanie Plesch, University of Melbourne
mplesch@unimelb.edu.auCatalina Vicens, Curator, Tagliavini Collection; Royal Conservatory Brussels
servirantico@gmail.comAdvisory Editorial Board
David Ake
David Claman
Andy Connell
Alexandre Eisenberg
Elinor Frey
Pauxy Gentil-Nunes
Sumanth Gopinath
Joan Josep Gutiérrez
Henry Howey
Heather Dea Jennings
Ralph P. Locke
Marcos Lucas
Nicolas Meeùs
Márcio Páscoa
Liduino Pitombeira
Mark Rimple
Marysol Quevedo
Antonio Celso Ribeiro
Debby Rivers
Laura Ronai
Jacob Sagrans
Dmitri Zisl Slepovich
Petros Stergiopoulos
Peter Sykes
Joel Verkaik
Douglas Worthen
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