This paper considers the ways in which the television ghost story serves to support understanding and interpretations of history, and particularly an understanding of causality. As Helen Wheatley has identified, the typical detailed period settings of the television Gothic operate as a form of ‘dark heritage’ drama, where, instead of the att…[Read more]

The ghost story typically presents an interaction of the past with the present, often in the form of ‘stone tape’ type repeats of an event from the past. The 2016 BBC series The Living and the Dead went beyond this to show the merging of multiple time streams, so people made choices in the ‘present’ because of influences from past and future,…[Read more]

The ghost story typically presents an interaction of the past with the present, often in the form of ‘stone tape’ type repeats of an event from the past. The 2016 BBC series The Living and the Dead went beyond this to show the merging of multiple time streams, so people made choices in the ‘present’ because of influences from past and future,…[Read more]

When rock star Bono told Oprah Winfrey that America is an ideal that is supposed to be contagious, the talk show host was moved to tears. Such an imagined America, rather than the nation-state USA, is the topic of Fabricating the Absolute Fake. Pop and politics become intertwined, as Hollywood, television, and celebrities spread the American Dream…[Read more]

Anhand der Science-Fiction Animes “Captain Future”, “Saber Rider and the Star Sheriffs” und “Cowboy Bebop” wird eine bestimmtes Narrativ innerhalb des Genres des Science-Fiction Anime stichprobenartig über drei Jahrzehnte hinweg betrachtet und die vorzufindenden Geschlechterkonstruktionen beleuchtet: Jede dieser Erzählungen handelt von den A…[Read more]

Beginning with television’s popularization and mass availability in the 1950s, TV has extensively been employed to transport and mediate history. From the early televisual experiments of The Twilight Zone and Star Trek to more recent examples such as Quantum Leap, The X-Files and Continuum, Science Fiction television and its subgenre of A…[Read more]

One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) is nostalgia, which pervaded many of the episodes of the series. Although Serling himself often looked back upon the past wishing to regain it, he did, however, understand that we often see things looking back that were not there and that the past is often ide…[Read more]

English title: “Transmedia Storytelling in the narrative universe of ‘Game of Thrones'” — This essay’s aim is to briefly introduce the concept of Transmedia Storytelling and to provide a showcase analysis and review of the serial TV narrative of GAME OF THRONES in order to show how a television series’ narrative universe, driven by both producers…[Read more]

Syllabus of BA seminar “Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute” aka. “TV or not TV? Historical Development of US American Serial Television from the 1950s up to today” held during Winter semester 2013/14 at Universität Hamburg, Germany.

Syllabus of BA seminar “Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute” aka. “TV or not TV? Historical Development of US American Serial Television from the 1950s up to today” held during Winter semester 2013/14 at Universität Hamburg, Germany.

Legion, one of the most recent iterations of the Marvel Cinematic Universe (MCU) on television, takes an unconventional road to remediating the 1960s as a cultural period.

This CSTOnline blog post takes a look at the current resurgence of science fiction on television, and discusses these recent trends along the example of The Expanse, an adaptation of the successful space opera penned by scifi author James S. A. Corey.

The X-Files may be one of the most popular forms of historiographic metafiction, as Linda Hutcheon defines the term, ever produced. The show is, among other things, an extended meditation on the inescapability and elusiveness of history, both personal and public. At the center of the show is Fox Mulder’s personal history—his obsession with the mem…[Read more]

Examines the differences between Australian and American television and the difficulties posed by the American re-make of the Australian TV series Rake.

This article focuses on representation of Cubans in the television series Dexter, paying particular attention to episode 1.5, “Love American Style” with some brief references to other episodes. Assimilation, the American Dream, nationalism and crisis of identity are among the themes and issues that this article investigates. Border theory pro…[Read more]

“The thesis investigates the case of the modern Television drama series FlashForward and sets out to chart the employment of concepts of Collective Memory Studies in the narrative in order to reflect upon the ways of how social perceptions of the past and Collective Memory are remediated in the course of the narrative.
To achieve that goal, the…[Read more]