The Society for Music Theory’s Autographs and Archival Documents Interest Group promotes scholarship that relies on sketches and other archival documents for analysis. We also support the creation of courses on this topic. This interest group was inaugurated at the 2016 Annual Meeting of the Society for Music Theory in Vancouver. Patricia Hall was the founding chair. The current co-chairs of the group are Laura Emmery and Áine Heneghan.
https://societymusictheory.org/societies/interest/autographs_and_archives
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Autographs and Archival Documents Interest Group meeting at SMT 

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      Áine Heneghan
      Participant
      @heneghan

      Autographs and Archival Documents Interest Group meeting at SMT

      Friday, November 8, 12:30-2:00PM, Taft A

      Chair: Benjamin Levy (University of California, Santa Barbara)

      David Carson Berry (University of Cincinnati, College-Conservatory of Music), “Schenker’s Ideas Come to Middle America (Much Sooner Than You Thought): What Two Ohio Archives Tell Us about Hans Weisse’s American Students in the 1930s”

      Thomas William Posen (McGill University), “The Eroica Continuity Sketches: A Form-Functional Perspective”

      Mark Richardson (East Carolina University), “The Origin of ‘Gailliarde’ from Agon Revealed by Stravinsky’s Rhythmic Sketches”

      Frank Heidlberger (University of North Texas), “Ernst Krenek’s Sketches for his Oratorio ‘Spiritus Intelligentiae’ (1956) and their Relevance for the Concept of Serialism”

      Joseph Salem (University of Victoria), “Pierre Boulez’s Don and the ‘Open’ Work Concept”

      —————-

      The proposals were assembled by Áine Heneghan, and then reviewed anonymously by Laura Emmery, Benjamin Levy, and Philip Stoecker. The gender breakdown for submitted proposals was as follows: 90% men and 10% women.

      Laura Emmery and Áine Heneghan (Co-Chairs, Autographs and Archival Documents Interest Group)

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