[William Ayers]

Hi everyone! As many of your are wrapping up or preparing to wrap up your semesters, this is just a quick reminder to submit eligible articles and chapters to william.ayers@ucf.edu for the Post-1945 Music Analysis Interest Group Publication Award by May 16. The original call follows. Please feel free to circulate it as you see fit ahead of that deadline, and let me know if you have any questions. Cheers! -Will Ayers

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Dear scholars of post-1945 music,

Please consider submitting your published articles or book chapters for consideration for the SMT Post-1945 Music Analysis Interest Group Publication Award.

Any peer-reviewed article or book chapter published between January 2019 and December 2021 on analysis of post-1945 music within modernist, experimental, avant-grade and related musical discourses is eligible. A substantial work of scholarship that engages with a wide literature but is not formally peer-reviewed may be considered at the discretion of the committee. Previous award recipients are ineligible to compete for the same award in subsequent years. We strongly encourage nominations by and about scholars/artists of color and members of other underrepresented groups in music scholarship. Self-nominations are welcome.

Please send your submission as a pdf attachment to William Ayers at william.ayers@ucf.edu no later than May 16, 2022. Additionally, feel free to contact us if you have any questions about submitting.

With best wishes,
William Ayers and Elizabeth Hambleton
SMT Post-1945 Music Analysis Interest Group, co-chairs

2021 SMT Post-1945 Music Analysis IG Publications Committee:
Antares Boyle (Portland State University), chair
Drake Andersen (Vassar College), 2021 award winner
Sumanth Gopinath (University of Minnesota), 2021 award winner

The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist, experimental, and avant-garde. Through its annual meetings and online communications, the group aims to strengthen, support, and develop its members’ ideas and sense of community. It also seeks to bring attention to and foster scholarship on post-1945 music both within the Society for Music Theory and in music scholarship at large.

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