[Samantha Chang]

The RSA Graduate Student Advisory Committee launched the Online Graduate Student Lightning Talk Series with its inaugural session “Expanding the Renaissance” on 3 December 2020. Please find below resources provided by our six speakers. If you would like to get in contact with the six speakers, please contact the RSA Graduate Student Advisory Committee at
rsastudentcommunity@gmail.com.

• Hilda Groen, Utrecht University”The Signature as an Access Line to the ‘Other’:Giovanna Garzoni’s Portrait of Zaga Christ (1635)”
• Angela Zhang, York University (Toronto)“Creating Race in ‘Renaissance’ Florence”
• Bridget Bartlett, University of Mississippi“Autism Ancestors: On Typology, History, and Disabled Characters”
• Deanna Pellerano, Indiana University“Hidden Meanings: The Inclusive Early Music Bibliography and the Reworking of Subject Headings in Music”
• Leendert van der Miesen, MPIWG/Humboldt University of Berlin“Mattouk Chiassan and the Study of Ottoman Music in France, 1635”
• Yagnaseni Datta, Yale University“Savouring the Ragamala Paintings of Northern India”

• This topic was modified 5 years, 4 months ago by Samantha Chang.

[Barbara E. Dietlinger]

Bridget Bartlett’s bibliography can be found in the attachment.

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[Deanna Pellerano]

Archives for Black Lives in Philadelphia’s Anti-Racist Description Working Group. Archives for Black Lives in Philadelphia: Anti-Racist Description Resources. October 2019. ​https://archivesforblacklives.files.wordpress.com/2019/10/ardr_final.pdf.​

Berman, Sanford. Prejudices and Antipathies: A Tract On the LC Subject Heads Concerning People, 1993 ed. Forward by Eric Moon. Jefferson, N.C.: McFarland & Co., 1993.​

Drabinski, Emily. “Queering the Catalog: Queer theory and the Politics of Correction.” Brooklyn Library Faculty Publications 9 (2013): 94-111.

Olson, Hope A. “Difference, Culture and Change: The Untapped Potential of LCSH.” Cataloging & Classification Quarterly 29, no. 1-2 (2000): 53-71.

[Leendert Van der Miesen]

• Amnon Shiloah and Annie Berthier, “A propos d’un “petit livre arabe de musique”,” Revue de Musicology 71/1-2 (1985): 164–177.
• Peter Miller, Peiresc’s Mediterranean World (Cambridge, MA: Harvard University Press, 2015)
• Jenny Norton Wright, “Innovations in music notation in late medieval Syria: British Library manuscript Or. 13019,” British Library Music Blog Post, 29.06.2020 https://blogs.bl.uk/music/2020/06/innovations-in-music-notation-in-late-medieval-syria-british-library-manuscript-or-13019.html
• Owen Wright, “Turning a Deaf Ear,” The Renaissance and the Ottoman World, ed. Anna Contadini and Claire Norton (Farnham: Ashgate, 2013) 143–165.
• Judith Haug, “French-Ottoman Knowledge Exchange on Music in the Context of Le Bourgeois gentilhomme,” Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in Le Bourgeois gentilhomme (1670), ed. Hanna Walsdorf (Berlin: Frank & Timme, 2019) 247–274.

• This reply was modified 5 years, 3 months ago by Leendert Van der Miesen.

[Hilda Johanna Groen]

Hereby I am sharing the bibliography which formed the foundation of my talk yesterday on Giovanna Garzoni’s Portrait of Zaga Christ.

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