[Rachel Marian Campbell]

The schedule of papers for Semester 2, 2023 is as follows (all on zoom):

23 August – Neal Peres da Costa

6 September – Alan Maddox
“Performing emotion in Antonio Caldara’s (1670-1736) opera recitatives”

20 September – Liz Kertesz & Michael Christoferidis
“‘Revolutionary’ Adaptations of Bizet’s Carmen Between the Two World Wars”

4 October – John Encarnacao
“Album Studies and the Boundaries of Research: Scholarly, literary, journalistic, or an opportunity to mix and match modes”

18 October – Kathleen Nelson
… on her research into late medieval plainchant sources

1 November – Ann Curthoys
… on Paul Robeson in Australia

All welcome
4pm AEST, every second Wednesday:
Meeting ID: 818 7953 7217
https://uni-sydney.zoom.us/j/81879537217
Password: MCS

To join the mailing list to receive notification of papers and abstracts, email rachel.campbell@sydney.edu.au<mailto:rachel.campbell@sydney.edu.au>

Kind regards,
Rachel (on behalf of the MCS committee, David Larkin, Chris Coady, and Rachel Campbell)

DR RACHEL CAMPBELL | Lecturer in Musicology
Sydney Conservatorium of Music
THE UNIVERSITY OF SYDNEY
Rm 2078, Building C41 | The University of Sydney | NSW | 2006
E rachel.campbell@sydney.edu.au<applewebdata://AB1935DD-908F-4B84-A857-977F14CDC8F6/rachel.campbell@sydney.edu.au> | W sydney.edu.au/music<http://sydney.edu.au/&gt; |
Gadigal Land of the Eora nation

Recent work: ‘Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree<https://academic.oup.com/mq/advance-article/doi/10.1093/musqtl/gdab022/6517202?guestAccessKey=f0ba8a6e-c908-4ed6-a232-0e0460a99857>’, Musical Quarterly 105, no.1-2 (2022), 190–234.

‘Primitive, Exotic, and Australian: The Reception of John Antill’s Corroboree’<https://online.ucpress.edu/jm/article-abstract/39/4/405/194738/Primitive-Exotic-and-AustralianThe-Reception-of?redirectedFrom=fulltext&gt;, Journal of Musicology 39, no.4 (2022), 405–431.

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