“In capitalism, institutional libraries, publishers and book traders all have ways to suppress the publishing of, the access to or the distribution of texts and books — rigidities inviting for creative subversion.”

This chapter written in the form of a dialogue presents an informal conversation between Eva Weinmayr and her inner voice about a…[Read more]

A manifesto for a radically open publishing commons; an expansion of remarks originally presented on a panel devoted to independent open-access academic publishing at the 2nd Biennial Meeting of the BABEL Working Group (Boston, Massachusetts, 20-22 Sep. 2012).

An Open Letter & petition, with signatures, from punctum books to The New Press and Verso Books (UK), relative to their recent compilations (in print and e-book form) of Aaron Swartz’s selective collected writings, “The Boy Who Could Change the World,” in which the undersigned ask Verso and The New Press to reverse and repair this unfortunate…[Read more]

In 1860, the newly-appointed librarian of the Royal Library at Windsor Castle, Bernard Bolingbroke Woodward, drew up a series of ambitious plans aimed at reforming the organisation and administration of the collection. The work carried out on the library during this period included the introduction of a subject-based classification system and the…[Read more]

The aim of this study is to investigate whether library and information service provision changes in commercial law firms that have adopted agile working policies. Whilst there are many management texts on agile working there is very little that looks at libraries, and what there is mainly deals with the academic sector. As agile working is…[Read more]

Open Peer Review and Open Citations need advocates. Open Access recently received significant boosts in organized support (Redalyc announcing AmerliCA; cOAlition-S announcing Plan S). Within a similar timeframe, two other events occurred that need coordinated consideration: the ASAPbio group issued a letter in favor of Open Peer Review (OPR), and…[Read more]

Hip-Hop music, business, distribution, and culture exhibit highly-comparable trends in the scholarly communication and publication industry. This article discusses Hip-Hop artists and research authors as content creators, each operating within marketplaces still adjusting to digital, online connectivity. These discussions are intended for…[Read more]

The real world, as we experience it today, is intimately connected with technological mediation. Drawing on theories of post-humanism, onlife, the infosphere, and audience participation, this paper addresses how the cultural, social and political beliefs of participants in immersive theatre can be trans-ed. The relationality inherent in the term…[Read more]

Die Präsentation gibt einen Überblick über die Aktivitäten im Zusammenhang mit Open Access an der Akademie der bildenden Künste Wien und ihrem institutionellen Repositorium ]a[repository. Im ersten Teil wird auf die Fragen “Was kann hier veröffentlicht werden?” und “Wie können Hochschulschriften und andere Publikationen im Akadem…[Read more]

Presented at the Creative Commons Global Summit, in Lisbon, 2019, this presentation highlights the importance of options for retaining copyright for authors especially in the context of new university and funder OA policies that require faculty to retain some rights to make works openly accessible. The session will explore considerations that went…[Read more]

Assignment completed for module INM303 Information Organisation.
A proposed outline taxonomy structure, displayed hierarchically, for an allotment website. It shows nine top terms with the hierarchy completed to the lowest level for one of the terms and this section is also shown as a thesaurus fragment. The remaining top terms are shown up to…[Read more]

Open access publishing (OA) not only removes price and permission restrictions to academic research, but also represents an opportunity to reassess what publishing means to the humanities. OA is increasingly on the agenda for humanities researchers in the UK, having been mandated in various forms by universities and governmental funders strongly…[Read more]

This research will attempt to evaluate how the thinking of Floridi, especially his emphasis on information, could in some way affect the way we approach art practice. It rests upon an existing body of study about art practice, pursued through a selective literature review of the works of Floridi. As artists rediscover the notion of participation,…[Read more]

The report takes a brief look into Lai Yung-Hsiang’s New Classification Scheme for Chinese Libraries. I will start by giving a short account of its histories and context followed by its current status and use, as well as a description of its basic principles. In particular, I would like to compare it with Liu Guojun’s classification for Chinese…[Read more]

This essay looks at the ways in which library services relate to the visual culture of the 21st Century. I will begin by discussing what is meant by visual culture followed by brief reports of the current trends. An account of current library practice will be given, along with a short photo essay depicting the changes in the world of libraries. I…[Read more]

This paper looks at the idea of digital libraries as social systems. It gives a short account of what it means to define digital libraries as social systems, including the view of digital libraries as ecosystems or ecologies.
A focus on R. David Lankes’ idea of libraries as facilitators of conversation leads us to the sociology of Niklas Luhmann…[Read more]

The movement for open access publishing is often said to have its roots in the scientific disciplines, having been popularised by scientific publishers and formalised through a range of top-down policy interventions. But there is an often-neglected pre-history of open access that can be found in the early DIY publishers of the late ‘80s and e…[Read more]

Der Beitrag thematisiert das innovative Tagungsformat eines Barcamps am konkreten Beispiel der im Rahmen des Forschungsverbundes Marbach Weimar Wolfenbüttel durchgeführten Veranstaltung “Data and Demons: Von Bestanddaten zu Services”. Ziel war es, Vertreter/innen der verschiedenen Fachdisziplinen an Bibliotheken, Archiven und Museen z…[Read more]

Course Description:

In a rapidly changing digital era, the need for information professionals to keep up-to-date
with the requirements and expectations around the development of digital
collections is imperative. The course serves as an introduction and overview to the
research, development, application and practice of creating and…[Read more]

Publishing a journal is about more than simply putting ink to paper (or pixels to screen). It is a collaboration between you and your readers. Two critical aspects of this relationship are, first, making your journal visible to your prospective audience. By putting your content online and making it freely available through open access, you can be…[Read more]