For scholars interested in the study of horror in any time period and across genres. To put it more plainly, horror in all forms: canonical literature and film; horror magazine stories, paperback bestsellers, and B-movies; comics and urban legends; video games and creepypasta; and anything else that aims to scare!
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Bill Hughes deposited ‘But by blood no wolf am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver trilogy in the group
Horror on Humanities Commons 8 years agoYoung Adult dark romance is often more questioning than its adult counterpart; different, less constraining commercial imperatives are perhaps at work, or readers’ expectations less fixed. This chapter will show how, woven into a sensitive coming-of-age narrative of first love and familial problems, Maggie Stiefvater’s Shiver trilogy performs a f…[Read more]
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Bill Hughes deposited ‘Legally Recognised Undead’: Essence, Difference, and Assimilation in Daniel Waters’s Generation Dead in the group
Horror on Humanities Commons 8 years agoVampire literature since Le Fanu at least has been conspicuously about ‘Otherness’, that crucial term of identity politics, and has thus rendered itself most obligingly to interpretation in terms of those politics—at least, since the rise of that paradigm in cultural analysis, it has been available to be read that way. Appearing deceptively human…[Read more]
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Bill Hughes started the topic CFP: OGOM & Supernatural Cities present: The Urban Weird in the discussion
Horror on Humanities Commons 8 years, 4 months agoCFP: OGOM & Supernatural Cities present: The Urban Weird
University of Hertfordshire, 6-7 April, 2018
The OGOM Project is known for its imaginative events and symposia, which have often been accompanied by a media frenzy. We were the first to invite vampires into the academy back in 2010. Our most recent endeavour, Company of Wolves:…[Read more]
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Sherry Truffin deposited Joyce Carol Oates Revisits the Schoolhouse Gothic in the group
Horror on Humanities Commons 8 years, 4 months agoThe “Schoolhouse Gothic” represents teachers, students, and academic institutions using Gothic tropes such as the monster, the curse, and the trap. Joyce Carol Oates’s 2013 novel The Accursed both exemplifies and deviates from this tradition. Like other Schoolhouse Gothic works, The Accursed portrays the university as a place of mystified power…[Read more]
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Sherry Truffin deposited Creation Anxiety in Gothic Metafiction: The Dark Half and Lunar Park in the group
Horror on Humanities Commons 8 years, 4 months agoThe Gothic metafiction of Stephen King and Bret Easton Ellis focuses on author-protagonists who fear what they create because their creations are re-creations, projections of their creator’s anxieties, some conventionally Gothic (the multiple/split self) and others specific to postmodern conceptions of subjectivity in general and authorship in p…[Read more]
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Sherry Truffin deposited ‘Gigantic Paradox, Too … Monstrous for Solution’: Nightmarish Democracy and the Schoolhouse Gothic in “William Wilson” and The Secret History in the group
Horror on Humanities Commons 8 years, 4 months agoTo review the history of the Gothic as a counter-Enlightenment discourse, albeit an ambivalent one, is to see the suitability, if not the inevitability, of the Gothic treatment of education and educators. Presumably benign institutions, schools may seem more like unfeeling bureaucracies, brainwashing factories, militaristic zones, or lawless waste…[Read more]
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Sherry Truffin deposited Zombies in the Classroom: Education as Consumption in Two Novels by Joyce Carol Oates in the group
Horror on Humanities Commons 8 years, 4 months agoTo review the history of the Gothic as a counter-Enlightenment discourse is to see the suitability, if not the inevitability, of the Gothic treatment of education and educators. Schools and schoolteachers are keepers and transmitters of enlightenment. At the same time, schools and teachers are figures of power. They decide when children work, when…[Read more]
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Sherry Truffin deposited ‘This is what passes for free will’: Chuck Palahniuk’s Postmodern Gothic in the group
Horror on Humanities Commons 8 years, 4 months agoLiterary Gothic emerged in the eighteenth century, the so-called Age of Reason, and takes as its subject the enemies of reason: superstition, madness, barbarism, taboo, etc. In the Gothic, these adversaries are engaged and often defeated. At the same time, however, the Gothic is a claustrophobic, paranoid literature, both profoundly skeptical of…[Read more]
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Sherry Truffin deposited ‘Terrors of the Night’: Salvation, Gender, and the Gothic in James Baldwin’s Go Tell It On The Mountain in the group
Horror on Humanities Commons 8 years, 4 months agoThis essay examines the blend of male and female Gothic conventions in James Baldwin’s Go Tell It On The Mountain
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Sherry Truffin deposited ‘Screaming While School Was In Session’: The Construction of Monstrosity in Stephen King’s Schoolhouse Gothic in the group
Horror on Humanities Commons 8 years, 4 months agoThis essay examines the portrayal of teachers, students, and schools in the fiction of Stephen King.
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Nicky Agate started the topic CFP: in the discussion
Horror on Humanities Commons 8 years, 6 months agoDeadline for submissions: November 27, 2017
full name / name of organization:
Horror Writers Association
Contact email: AnnRadCon@gmail.com
Call for Presentations:
The Second Annual Ann Radcliffe Academic Conference at StokerCon 2018
Conference Dates: March 1 – 4, 2018
Conference Hotel: Biltmore Hotel, Providence, Rhode Is…[Read more] -
Caitlin Duffy started the topic Links to Academic Horror Resources in the discussion
Horror on Humanities Commons 8 years, 6 months agoIt might be helpful for us to have a set place where links to horror resources might reside.
Here are two blogs and a podcast that might be of interest:
Horror Homeroom – A blog that aims to “take horror seriously!” The three owners of Horror Homeroom are always happy to accept submissions.
Graveyard Shift Sisters – The purpose of this bl…[Read more] -
Todd Comer deposited “Dilating Fixity: Pacific Rim, and the Erasure of Birth” in the group
Horror on Humanities Commons 8 years, 7 months agoThis paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more] -
Gina Brandolino created the group
Horror on Humanities Commons 8 years, 10 months ago