Global Musical Modernisms is a forum for all forms of music received and appropriated as “modern” in any location around the globe, crossing the boundaries of post/tonality and musical genres. The focus is on art, avant-garde, experimental, modernist, and popular music, by global (African, Middle Eastern, Central/ South/ Southeast/ East Asian, Latin American, Australasian etc.) music-makers, minority music-makers from the West, and music-makers from the peripheries of Europe and North America.
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Gavin Lee deposited Postcolonial Affect: Ambiguous Relationality in Robert Casteels’s L’(autre) fille aux cheveux de Bali in the group
Global Musical Modernisms on Humanities Commons 6 years agoJournal of the Royal Musical Association 140.2 (2015): 417-443 (published by the UK musicology society). Robert Casteels (b. 1958, Belgium), Singapore citizen, migrated in 1995, L’(autre) fille aux cheveux de Bali (2002).
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Gavin Lee deposited Postcolonial Bifurcation: On John Sharpley’s Emptiness in the group
Global Musical Modernisms on Humanities Commons 6 years agoMusic Analysis 38.3 (2019): 316-357 (published by the UK Society for Music Analysis)
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Gavin Lee edited the doc GUIDE to BLOG POSTS in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee created the doc GUIDE to BLOG POSTS in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee edited the doc INDEX of Blog Posts by Composer’s Name in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee created the doc Index of blog posts by composer’s name in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee edited the doc FAQ in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
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Gavin Lee created the doc Test in the group
Global Musical Modernisms on Humanities Commons 6 years, 1 month ago -
Gavin S. K. Lee created the group
Global Musical Modernisms on Humanities Commons 6 years, 1 month ago