[José Angel GARCÍA LANDA]

One topic in this group might be sharing new (or old, or significant) online publications by group members. Or perhaps other online publications which are worth sharing, or sharing publications in the form of attachments. I suppose the topic list will eventually develop a shape of its own depending on the activity and preferences of members.  Anyway, I will inaugurate this topic by way of replying to myself, and members may add their publications here or in a new topic, as they see fit.

[José Angel GARCÍA LANDA]

A review of Salman Rushdie’s The Moor’s Last Sigh:

Reseña de Salman Rushdie, The Moor’s Last Sigh: https://personal.unizar.es/garciala/publicaciones/moor.html

[Nora Rodriguez-Loro]

Thank you, José Angel, for sharing your publication!

[Nora Rodriguez-Loro]

Here you have two online publications on Restoration theatre. The first is a discussion of  Wycherley’s adaptation a comedy by Calderon de la Barca and the second deals with the dedication of The Mulberry Garden (1668), dedicatory writing being my field of expertise.

• Calderon and Wycherley’s Dancing-Masters: https://idus.us.es/handle/11441/61560
• Sedley’s “The Mulberry Garden” (1668) and the Genre of the Dramatic Dedication: https://idus.us.es/handle/11441/61551

[José Angel GARCÍA LANDA]

Thanks, Nora; I will include them in my online bibliography, and I will do the same with other publications shared here. Another one. This one is not strictly mine, but I am one of the advisors to this series, so here goes. The Narratologia series, published by de Gruyter, includes volumes on narratological theory and criticism, both in German and in English; most of the volumes deal with English or American literature as well, but there are volumes on cultural studies, film studies, videogames, drama, etc., and on German literature too. It has now reached its seventieth volume, with this book on narrative polyphony in the short story:

Roggenbuck, Stefanie. Narrative Polyphonie: Formen von Mehrstimmtigkeit in deutschsprächigen und anglo-amerikanischen Erzählen. (Narratologia, 70). Berlin and Boston: De Gruyter, 2020.*         https://www.degruyter.com/view/title/547667         2020

[Nora Rodriguez-Loro]

Great, José Ángel, thanks for sharing.

[José Angel GARCÍA LANDA]

Another paper on Salman Rushdie, in:

Santaolalla, Isabel, ed. “New” Exoticisms: Changing Patterns in the Construction of Otherness. (Postmodern Studies 29). Amsterdam and Atlanta: Rodopi, 2000.* Online texts in Google Books.         https://personal.unizar.es/garciala/publicaciones/newexoticisms.html

2020

[José Angel GARCÍA LANDA]

From the prehistory of my web: Reading notes on some English classics: https://personal.unizar.es/garciala/publicaciones/notes.html

[Nora Rodriguez-Loro]

Early Modern Female Book Ownership. Edited by Mark Empey, Sarah Lindenbaum, Tara Lyons, Erin McCarthy, Micheline White, Georgianna Ziegler, and Martine van Elk. Reviewed by Valerie Schutte

Early Modern Female Book Ownership is a website dedicated to individual books that can be traced to female owners from 1500 to 1750. On the home page, immediately under the blog title, is the hashtag #HerBook, which the editors want site visitors to use when discussing or mentioning the blog. They often refer blog users to their Twitter page for up-to-date information about their project or to reach out with suggestions.

The main menu for the website has four tabs: Home, About this Blog, Resources, and Finding Aid. The home page is where all of the blog posts appear, one after the next, making the home page incredibly long, as the earliest blog post dates to 3 December 2018. According to this first blog post, which serves as a welcome to the website, the project is designed to showcase short posts of books owned by early modern women featuring an inscription by that woman. The blog features mostly English entries, but would like to include others. Blog posts are typically short, no more than 1,000 words, and are accompanied by pictures of the title page of the book owned by a woman and of her inscription or signature. The pictures appear to have been taken by those writing the blog post, not stock images from the internet or Creative Commons.

On the right side of the home page is both a search tool and a list of categories. In selecting a category, only the books tied to that category are shown on the home page, such as sixteenth century, seventeenth century, Dutch, and drama. There are 24 categories to choose from. However, even when you select a category, the blog posts still appear in the order in which they were posted to the blog and one right after the next on the home page. There is no way for further filtering, unless you only use the search function to look for a specific book or female book owner.

Under the About this Blog tab, the blog editors explain the purpose of the blog and welcome guest posts from scholars, collectors, and students. They hope to contribute to the study of female book ownership by offering examples of female owned books and how women showcased their ownership.

Under the Resources tab, there is a brief bibliography of books, articles, websites, and other blogs that are about women book owners and readers, which is incredibly helpful for further research on the subject. This list is far from inclusive and many of the books and articles mentioned are those by the blog editors.

Under the Finding Aid tab, they offer a list of the books and female book owners for which they have blog posts. They suggest researchers scan this list for patterns and to find specific blog posts quickly, as within the list all of the book titles are hyperlinked to the relevant blog post. This page should perhaps be the home page, in that it is much easier to scan for a specific female book owner or book, while the home page is overwhelming with information and pictures.

Overall, the blog is very useful and offers researchers and people interested in early modern books with short posts of information that they can follow up on for themselves. Most useful are the photos of the inscriptions, which are often not included in book and journal essays on the subject and allow for inscription comparison over time, and as the blog develops, across borders.

Valerie Schutte

Independent Scholar

Valerie Schutte is author or editor of several books on Tudor monarchs and their books, Shakespeare, and Queen Mary I. She is currently writing the first academic biography of Anne of Cleves.

[José Angel GARCÍA LANDA]

La novela histórica: Parámetros para su definición:

https://personal.unizar.es/garciala/publicaciones/novelah.html

[José Angel GARCÍA LANDA]

Notas sobre El Ordenador Renacentista (The Renaissance Computer): https://personal.unizar.es/garciala/publicaciones/ordenadorrenacentista.html

[José Angel GARCÍA LANDA]

Yet another paper from my archives… This one’s got a bit on Stevenson: La perspectiva dominante sobre el sistema combinatorio: https://literarytheory.hcommons-staging.org/2020/09/28/la-perspectiva-dominante-sobre-el-sistema-combinatorio/

[José Angel GARCÍA LANDA]

Well Beckett is not “English, English” (when they asked him ‘Monsieur Beckett, est-ce que vous êtes Anglais?’ he answered ‘Non, au contraire’) yet he is relevant to English literature. Anyway here’s a series of complete fragments from my book Samuel Beckett y la narración reflexiva, on metafiction, experimental writing and suchlike matters.

SAMUEL BECKETT Y LA NARRACIÓN REFLEXIVA: https://personal.unizar.es/garciala/publicaciones/SBNR.html

 

 

 

• This reply was modified 5 years, 4 months ago by José Angel GARCÍA LANDA.

[José Angel GARCÍA LANDA]

Reseña de Roger Sell, Literature as Communication: The Foundations of Mediating Criticism: Reseña de LITERATURE AS COMMUNICATION: https://personal.unizar.es/garciala/publicaciones/selllac.html

[José Angel GARCÍA LANDA]

Reading Notes on Some English Classics: https://www.academia.edu/33245003/

[José Angel GARCÍA LANDA]

Retropost, 2014: A History of English Literature https://vanityfea.blogspot.com/2014/01/a-history-of-english-literature.html

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