This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

This chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It…[Read more]

Companion materials for “Introductory Digital Humanities Curriculum for the High School English Classroom,” also available on Humanities Commons.

What is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot’s notorious 1922 poem The Waste Land. From an academic editorial standpoint, Touch Press’s edition has some grave issues. From a popular standpoint, The Waste Land for…[Read more]

Much of the rhetoric around the future of scholarly communication hinges on the “open” label. In light of Elsevier’s recent acquisition of bepress and the announcement that, owing to high fees, an established mathematics journal’s editorial team will split from its publisher to start an open access alternative, Jefferson Pooley argues that the sch…[Read more]

This reply to “The Curious Absence of Economic Analysis at the Federal Communications Commission” (Faulhaber, Singer, & Urschel, 2017) makes three claims. First, we document the paper’s undisclosed origins as a white paper commissioned by an advocacy group with deep ties to the telecommunications industry. Second, we describe two of the authors’…[Read more]

Scholarly books are increasingly available in digital form, but the online interfaces for using
these books often allow only for the browsing of PDF files. JSTOR Labs, an experimental
product-development group within the not-for-profit digital library JSTOR, undertook an
ideation and design process to develop new and different ways of showing…[Read more]

This article considers the use of semantic web technologies in the context of everyday historians. It deduces from theoretical considerations needs for the actual implementation of a digital edition. It explains some of the basic concepts of the semantic web more extensively than necessary for the digital humanities scholar already familiar with…[Read more]

Preprint, to be published in: Historische Editionen im digitalen Zeitalter. Les éditions historiques à l’ère numérique : Bestandesaufnahme und Ausblick. État des lieux et perspectives, hg. v. Pascale Sutter u. Sacha Zala, Basel (Schwabe) The essay discusses the consequence of digital methods in scholarly editing of historical sources. It come…[Read more]

A group editorial from the Editorial Board of the Journal of Librarianship and Scholarly Communication.

En este artículo, tras analizar el sistema de transcripción electrónico semipaleográfi- co del Hispanic Seminar of Medieval Studies (HSMS) de la Universidad de Madison, diseñado para un fin específico, la redacción de un diccionario del español medieval, se presenta el lenguaje XML y sus posibilidades para la codificación digital de texto…[Read more]

La primera edición de Libro de la caza de las aves (1869) fue encomendada a Lafuente Alcántara pero fue finalizada, con dificultades, por Gayangos. Más de un siglo después aparecen las primeras ediciones críticas. Aunque los estudios de Cummins (1986) y Montoto Delgado (1999) son de indudable valía, se han detectado errores tanto en su metod…[Read more]

La dama boba: edición crítica y archivo digital is an ambitious project that focuses on the history of Lope de Vega’s play. It gives access to the facsimile and the modernized spelling transcription of three witnesses and it presents a critical text with an apparatus and explanatory notes. While it would benefit from documenting its markup and mak…[Read more]

Given widespread labor market precarity, contemporary workers—especially those in the media and creative industries—are increasingly called upon to brand themselves. Academics, we contend, are experiencing a parallel pressure to engage in self-promotional practices, particularly as universities become progressively more market-driven. Aca…[Read more]

In calling for research papers to be made freely available open access advocates promised that doing so would lead to a simpler, less costly, more democratic, and more effective scholarly communication system. To achieve their objectives they proposed two different ways of providing open access: green OA (self-archiving) and gold OA (open access…[Read more]

The Conversation—”academic rigour, journalistic flair”—is the leading example of a new, web-enabled mode of academic popularization: the impact platform. The nonprofit site’s unpaid scholar-writers, together with professional staff editors, produce dozens of short, image-filled dispatches every week day. In a crucial twist, each piece is released…[Read more]

Scholarly books are increasingly being made available in digital form, joining in the print-to-digital transition that scholarly journals began well over a decade ago. Ten years of innovation have produced tremendous benefits for authors and readers of journal literature, and certainly some of this innovation is applicable to the digital migration…[Read more]