Cultural Studies
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Jefferson Pooley deposited Metrics Mania: The Case Against Academia.edu in the group
Cultural Studies on Humanities Commons 8 years, 2 months agoAcademia.edu has been called “Facebook for academics,” and the analogy is fitting: Academia.edu mimics core social-media conventions, down to follower counts, curated profiles with pics, and a scrollable “News Feed” bulletin of followers’ uploads. But its reliance on user-facing metrics exceeds anything you’ll find on mainstream social media. It…[Read more]
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Richard Elliott deposited The Sound of Nonsense in the group
Cultural Studies on Humanities Commons 8 years, 2 months ago‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so…[Read more]
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Danica Savonick deposited How to Begin is also Where: Placemaking Pedagogy and June Jordan’s His Own Where in the group
Cultural Studies on Humanities Commons 8 years, 3 months agoThis paper highlights the multiple modalities through which writer, activist, and educator June Jordan materialized a placemaking pedagogy, grounded in the art of structural critique and using language in the service of social change. In this paper, I show how Jordan “implicitly instructs” her students and young readers in cultivating a str…[Read more]
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Gil Rodman deposited Subject To Debate: (Mis)Reading Cultural Studies in the group
Cultural Studies on Humanities Commons 8 years, 3 months agoA critical analysis of (and intervention into) various misreadings of cultural studies.
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Bill Hughes deposited ‘But by blood no wolf am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver trilogy in the group
Cultural Studies on Humanities Commons 8 years, 3 months agoYoung Adult dark romance is often more questioning than its adult counterpart; different, less constraining commercial imperatives are perhaps at work, or readers’ expectations less fixed. This chapter will show how, woven into a sensitive coming-of-age narrative of first love and familial problems, Maggie Stiefvater’s Shiver trilogy performs a f…[Read more]
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Bill Hughes deposited ‘Legally Recognised Undead’: Essence, Difference, and Assimilation in Daniel Waters’s Generation Dead in the group
Cultural Studies on Humanities Commons 8 years, 3 months agoVampire literature since Le Fanu at least has been conspicuously about ‘Otherness’, that crucial term of identity politics, and has thus rendered itself most obligingly to interpretation in terms of those politics—at least, since the rise of that paradigm in cultural analysis, it has been available to be read that way. Appearing deceptively human…[Read more]
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Avi Santo started the topic CFP: Special issue of Film Criticism on film & merchandise in the discussion
Cultural Studies on Humanities Commons 8 years, 3 months agoFilm Criticism Special Issue on film & merchandise Call For Papers (November 2018)
Guest editors: Dr. Elizabeth Affuso (Pitzer College) and Dr. Avi Santo (Old Dominion University)Despite Jane Gaines’ (1989) recognition that the cinema screen and the department store display window have long participated in providing audiences with spectacles o…[Read more]
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Sérgio Dias Branco deposited “The Mosaic-Screen: Exploration and Definition” in the group
Cultural Studies on Humanities Commons 8 years, 3 months agoThe split screen is a well-known multi-frame technique used in film, television, and video. This essay focuses on cases in which this denomination seems incorrect, but that are currently classified under the same heading. In these instances, images of usually distinct characteristics are arranged on screen. The aim is to explore and define this…[Read more]
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Sérgio Dias Branco deposited “Kino Kino Kino Kino Kino: el cine de artificio de Guy Maddin” in the group
Cultural Studies on Humanities Commons 8 years, 3 months agoLas películas de Maddin absorben al espectador inmediatamente al mismo tiempo que su complejidad resulta agotadora. Dejan una impresión perdurable de un mundo efímero y distanciado, extrañamente cercano al nuestro —como una sombra profunda de él—. Nuestro propósito es reflexionar sobre esta impresión, dando cuenta de cómo la obra del cineasta ca…[Read more]
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Lori Morimoto deposited “Transnational Media Fan Studies.” The Routledge Companion to Media Fandom. Suzanne Scott and Melissa Click, eds. (forthcoming in 2017, Routledge) in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoThe terms ‘fandom’, ‘fan’, and even ‘fan studies’ appear to be, at first glance, self- evident. But considered in the context of both fan cultures and scholarship outside the English language-centered West, we begin to see the assumptions that underlie them. Whether we are talking about Japanese fans of manga and anime (somewhat codified it…[Read more]
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Janneke Adema deposited Performative Publications in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoThis article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]
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Janneke Adema deposited Cut-up in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoThis chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It…[Read more]
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Fabrice Lyczba deposited Fictions incarnées : pratiques publicitaires du Ballyhoo et regard spectatoriel dans le cinéma muet hollywoodien in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoA travers l’étude de tout un ensemble de paratextes (des descriptions de tournage aux pratiques du ballyhoo), cet article entend établir la réception des films muets américains sous le mode d’une connivence que permettrait un regard spectatoriel réaliste – connivence qui retrouverait la complicité qu’exigent les manipulations narratives de…[Read more]
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Fabrice Lyczba deposited Fictions of Intimacy, and the intimacy of fiction: “Going Into People’s Houses” and the Remediation of 1920s Film Reception in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoFrom the perspective of 1920s film reception, this chapter proposes to look at Hollywood cinema’s intimacy project – the objective of ‘going into people’s houses’ (Irving Thalberg, 1927) by showing fictions of intimate everyday life. While cinema is consumed in the 1920s in a very theatrical context, it is also, and concurrently, projected…[Read more]
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Fabrice Lyczba deposited Spectatoritis vs. World-building: Sandbox spectatorship in American children’s silent film culture in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoThrough a document-based ethno-historical approach, this article shows how cinema in the 1920s managed to inform urban children’s games and world-building activities, contrary to contemporary assumptions from early education reformers and sociologists that informed research into children’s play. I first show how most of this research tried to pro…[Read more]
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Trevor Griffey deposited History Declassified: Using U.S. Government Intelligence Documents to Write Left History in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoReview essay of: Robert Justin Goldstein, American Blacklist: The Attorney General’s List of Subversive Organizations (Lawrence: University of Kansas Press, 2008); Ivan Greenberg, The Dangers of Dissent: The FBI and Civil Liberties Since 1965 (New York: Lexington Books, 2010); Tim Wiener, Enemies: A History of the FBI (New York: Random House, 2012).
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Oscar Perea-Rodriguez deposited Entre La Celestina y los cancioneros castellanos: Calisto, el mal trovador, y Celestina, la puta vieja y alcahueta in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoConsiderar La Celestina como un cancionero, aun con toda la controversia de la definición
de este término (Severin 1994, 97), ya fue puesto en marcha por Deyermond en su pionero
trabajo sobre tal consideración. Más allá del número de poemas cancioneriles contenidos
tanto en la Comedia como en la Tragicomedia, que fue el argumento princ…[Read more] -
Cousateca Project deposited Análisis hermenéutico de la cosa: notas de un método in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoReflexión filosófica en torno a la cosa en relación con el proyecto Cousateca
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Joseph Galbo deposited A Decadence Baedeker: D’Annunzio’s The Triumph of Death in the group
Cultural Studies on Humanities Commons 8 years, 4 months agoThis article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, pa…[Read more]
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James Smith deposited Rethinking Clean: Historicising religion, science and the purity of water in the twenty-first century in the group
Cultural Studies on Humanities Commons 8 years, 5 months agoThe historical narrative of water purity tends to chart a process of secularisation with an
increasing importance on cleanliness. We suggest otherwise – that rhetorically at least, water
has never been secularised. Moral impurity and water contamination have a long and
interrelated history. Even before the connection had been made between c…[Read more] - Load More