Media research is a vexing enterprise. Trapped in the borderlands between social science and the humanities, the study of media and communication bears the liabilities of both. We have to contend with all the challenges that sociologists and literary scholars face: the subjective baggage of the analyst, her struggle to interpret unstable meanings,…[Read more]

The ghost story typically presents an interaction of the past with the present, often in the form of ‘stone tape’ type repeats of an event from the past. The 2016 BBC series The Living and the Dead went beyond this to show the merging of multiple time streams, so people made choices in the ‘present’ because of influences from past and future,…[Read more]

When rock star Bono told Oprah Winfrey that America is an ideal that is supposed to be contagious, the talk show host was moved to tears. Such an imagined America, rather than the nation-state USA, is the topic of Fabricating the Absolute Fake. Pop and politics become intertwined, as Hollywood, television, and celebrities spread the American Dream…[Read more]

The growl of Tom Waits is unmistakable and more so than ever in his latter works. The music is theatrical in nature; telling the tales of assorted characters and using the mellow plucking of a banjo or a cacophony of mismatched instruments to invoke the right mood for the story. His earlier albums evoke images of American working class men and…[Read more]

This paper analyses the mechanisms, outcomes, and consequences of the Nigerian protest movement using longitudinal qualitative research. To go about this, the paper looks at the protests in the context of neo-Liberal reforms, the essential trigger of the movement, its objectives, and its achievements are described. The movement started on January…[Read more]

This paper analyses the measures, reactions, and consequences of the repression of the neo-Biafra movement in Nigeria using longitudinal qualitative research. To go about this, the paper looks at the political context within which the movement operates, it objectives, and its activities are described. The movement started in September 1999 in…[Read more]

This chapter makes two critical interventions: one to redirect attention to women’s writing on Greece from a century that was dominated by either a masculine homosocial modernity or Byron’s long shadow in David Roessel’s sense (2002); and two, revising the critical scotoma that surrounds Hellenism as a process of power and style of thought in th…[Read more]

This text was a talk given at La Bellone House of Performing Arts, Brussels (BE) as part of a.pass seminar on the subject of ‘conspiracy’ with Juan Dominguez and Victoria Perez Royo on 14th and 15th April 2016. Departing from three different works of fiction, it explores the idea of daring as a modality of care for the possible and its imp…[Read more]

The movement for Digital Social Innovation (DSI) insists on the need for a long memory to not take anything unexpected as “innovative” just because there is no awareness of what has happened before or elsewhere. In this article we want to briefly collect three case studies from the recent past that have seen social justice movements aut…[Read more]

The tension between feminism and national liberation is a commonplace of political mobilization across the postcolonial world. This essay traces how postcolonial nationalist and transnational feminist agendas were brought into conflict during the defense of a thesis on the novels of the Syrian writer Ghada al-Samman (b. 1942) that took place in…[Read more]

Este trabajo continúa la senda del primero, en que se demostró que la negación del reinado de Pedro I y el oscurecimiento del propio monarca fueron de enorme importancia en la gestación y difusión de la poesía de cancionero castellana bajomedieval. Sin embargo, en los años iniciales del siglo XVI algunos autores menores, en especial Pedro de Gra…[Read more]

This essay examines Electronic Disturbance Theater’s virtual sit-in actions as a form of hacktivism in relation to the subaltern concept.

As cestas de adivinhação de Angola, da Zâmbia e da República Democrática do Congo tornaram-se mundialmente conhecidas pelo seu fascinante conteúdo: várias dezenas de peças imbuídas de simbolismo. Vidas em Jogo apresenta este simbolismo em acção. As cestas de adivinhação, transformadas em oráculos, são entendidas pelos seus utilizadores c…[Read more]

This chapter on witchcraft in northwest Zambia shows that forms of asking and giving may be deployed to suspend suspicion about the motives of others, even as they possess the potential to kill. When a woman asks a witch for a gift of salt to flavor her food, the witch feigns generosity but forces that woman to join the coven in recompense. In…[Read more]

Instead of asking what evil is, let us see where evil takes us. Based on many conversations on the topic of witchcraft in northwest Zambia, Africa—conversations in which witchcraft is presented from the perspective of the bewitched—the concept of evil takes us to a ghastly realm of destruction and transfiguration where the discourse of mor…[Read more]

Samuzala lived through colonialism in Angola, the liberation war, the civil war that followed independence, forced displacement to Zambia, and a landmine accident resulting in amputation. At different points in his life, Samuzala was a trader, a migrant, a refugee, and an amputee. In engaging with Samuzala’s life story, a narrative of movement, w…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]

Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary…[Read more]

Clark Ashton Smith—unlike the more famous H.P. Lovecraft—engaged with the medieval as a setting for his fiction. Lovecraft admired classical Roman civilization and the eighteenth century, but had little time for medieval themes. As Brantley Bryant has related, Lovecraft wrote contemptuously that the Middle Ages was a period that “snivel[ed] along…[Read more]