The Covid-19 pandemic, though less prominent in the headlines than in 2020 and 2021, is still with us today and has become part of our cultural memory. This essay looks at the loftily titled Decameron Project (2020), an international volume of what may be called ‘lockdown fiction’, commissioned by The New York Times Magazine. Special attention is given to the British contributions to this Boccaccio-inspired collection, and its death-defying outlook is related to the critical discourse around world literature.