This article suggests that the megalodons, American alligators, and bull sharks featured in The Meg (2018), Crawl (2019), and Deep Blue Sea 3 (2020) expand the temporal scope of the narratives to geological time. In so doing, these films not only expose the incongruity of geological with historical time but also grapple with the representational dilemma of conveying slow-moving disasters that unfold in a nonhuman temporal order.