Neuss: Bruno Buike 2019 – 58 p. – E23 doublenumber – (dedication-essay for BBWV 137 and 139 – settings for Gipsy violin on “Come Zigany”, Countess Maritza, 1 st movm., by Imre Kalman) -x-contributing to revisiting history of 20th century according to suggestions coming from Joseph P. Farrell, Guido Preparata, Anthony Sutton – b ) introducing into gipsy-research connections to Indian music, both from Raga and from Vedic understandings of Hinduism – (“Moksha” in Hinduism meaning something similar to “liberation from karmic necessitiy to become reborn to this planet”) – c) updating contemporary linking between music and military within the new physics of today as “skalar ether-physics with alchemical touch” (little bit beyond Einstein) (Sorry for some errors in orthography: I had to hurry up for a birthday-gift)