In 2001, CEO and owner of Black Entertainment Television (BET) Bob Johnson,
sold majority ownership to Viacom with much controversy. Many people in the
black community questioned the appropriateness of a network that claimed to
represent black life being under the defacto control of a white dominated
corporation. This study seeks to assess the impact of the change in ownership
upon the way African Americans are represented in BET’s programming. The
study begins by placing black popular cultures roots in the minstrel show and
shows how that form of media continues to plague American popular culture,
and indeed, BET, today. The study then undertakes an interpretive textual
analysis to show that BET shows and programming, under the ownership of a
white corporation is used as a mechanism of white imperialistic ideological
domina tion.