The year 2018 witnessed a significant growth of research groups and laboratories dedicated to Digital Humanities in Brazil, however, without producing for this international community. Nowadays, the Digital Humanities are beginning to gain greater public interest in Brazil and other countries in South America. In this perspective, our research would like to discuss what is produced in the Lusophone-speaking Digital Humanities in South America. The difficulty in diagnosing such production is evident because the global information regime has surrendered to the sociotechnical and cultural monopoly mediated by Google, Amazon, Facebook,
Apple, and Microsoft, major technological players (Fiormonte & Sordi, 2019). In the case of the Portuguese-speaking world, it is noticeable the language barrier often puts the debate and dialogue-less in evidence. In addition, English literature as it is evidently English-speaking escapes from the larger question of problematization in the face of critical thinking, which is decolonization.