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Description: CFP: Please share and disseminate this CFP widely.
The Global Musical Modernisms blog is a forum for all forms of music received and appropriated as “modern” in any location around the globe, crossing the boundaries of post/tonality. The focus is primarily but not exclusively on art, avant-garde, experimental, and modernist music, by global (African, East/Southeast/South Asian, Middle Eastern, Latin American) composers, minority composers from the West, and composers from the peripheries of Europe and North America.
The blog currently contains posts on works of modern music by Takemitsu (post authored by Tomoko Deguchi, Winthrop University), Unsuk Chin (Jungmin Lee), Jo Kondo (Anton Vishio, William Paterson University), Helena Tulve (Amy Bauer, UC Irvine), and Cui Jian (Yahui Cheng, University of South Florida). I would like to invite authors who wish to contribute a post to write to me (gavinsklee@gmail.com) with a brief self-introduction and a short proposal mentioning a specific work to be discussed in the blog post by Jul 10, 2020. If the proposals are accepted, completed posts of 1000-1500 words (together with a brief biography and a photo at the end) are to be submitted as a Word document by Aug 10, 2020.
Completed posts will undergo a peer review and peer editing process, where writers will be editors for each other’s posts, with an eye to adherence to academic conventions, including use of footnotes, videos, and (if applicable) lyrics and musical examples. There is no limit on the number of posts which may be published.
Have a look at the Humanities Commons website, which the blog is part of: https://hcommons-staging.org/groups/global-musical-modernisms 
This is the link to the blog:

https://globalmusicalmodernisms.hcommons-staging.org/

Date: 10 June 2020 EDT