Illuminating the pervasiveness and importance of the aesthetic presence was the task I undertook in my recent book, Sensibility and Sense: The Aesthetic Transformation of the Human World, and this essay develops the final chapter in that book. What I want to do here is carry that process still further, most particularly into the regions of political theory. For the energies of the artistic process invariably engage the social world, and the implications of artistic practice and aesthetic experience are necessarily political. Let me try to show how this is so.