Teresa Carreño, more than being another prodigy child, was, thanks to her creativity and agency, an outstanding cosmopolitan and all-round artist during the nineteenth-century and the beginning of the twentieth-century. Her role of concert pianist was complemented with those of composer, pedagogue, opera impresario and Singer. Teresa Carreño challenged the conventions of her time in order to built her legacy.
This article collects the thoughts of scholars and performers related to her work and life as well as a current list of intellectual productions about the artist with the aims of continuing the contribution to its examination and promotion.