In this bilingual edition with the original French, François Laruelle envisions a discipline of non-photography by concentrating on what photography is and not what it becomes. He emphasises the immanence of photography as opposed to its externality. He concludes that there is an ‘a priori photographic intuition’ and that a ‘photographic apparatus does not transform one into the other the real and the image, but produces images from other images’ (116–7).