This paper aims to explore the characteristics and nuances of presenting or performing identity. It asks questions of how the internet and -web transforms how we view/read and create art and literary works, how it affects the creative process as it becomes not only a period of meditative creation but also an event, and how these digital platforms inform artistic production and consumption, and the negotiations and confluences between the new and the traditional ways of artistic and literary productivity. The study lends its focus on young Filipino artists, ultimately calling into discourse the connections and contentions of cultural production, discussion, and identity in a supposedly neutral space.